Paris_ The Collected Traveler - Barrie Kerper [218]
In the end, though, the pleasures exceeded the familiar physical glories and culinary delights. One lives better in Europe, not only on account of the cheeses and the three-hour lunches and the enforced weekend. One does so thanks to SOS Couscous, whose deliverymen ladle dinner from dented metal casseroles; on account of pediatricians who pay house calls and orthodontists who take appointments until nine p.m.; because the playgrounds are vastly superior, free as they are from liability issues. There is good coffee and steak frites even at the hockey rink, where the adults are blessedly oblivious to the game. And the parent of a school-age child saves countless hours: there are no bake sales, no safety patrol, no home games. The last thing any French school administration cares to encounter in its hallways is a parent. We came nearly to take for granted those built-in privileges of a socialist country: when making travel arrangements, when buying shoes, when visiting a museum, we were entitled to a discount as a card-carrying “famille nombreuse.” (Woe to any famille nombreuse that attempts a dinner in a good French restaurant, however. At least until the two-year-old orders oysters.)
As it happened, we had something else in common with Franklin. While I waited to pick the children up from school one fall afternoon, my Parisian sister-in-law called to report that a plane had flown into the World Trade Center. I assumed she meant that a crazy student pilot had done so until I got home and turned on the television. From that moment on Americans in Paris were few on the ground. As she had been in the eighteenth century, America was naked and vulnerable again. “Nous sommes tous Américains,” blared the headlines, and any cabdriver who heard a whisper of English was happy not only to ask where we were from—for once New York was the proper answer, rather than California—but to offer sympathy and thanks for 1945. For the worst reasons imaginable, we enjoyed a taste of the fervor for the New World that Franklin had so effectively cultivated in the Old. A friend who was treated to a rare viewing of original Proust papers asked afterward why he had been so lucky. “Consider it repayment for June 6,” he was told, just after the fiftieth anniversary of D-Day. Say the words “Benjamin Franklin” and you elicit a smile from a Frenchman. On days when I wasn’t smiling, I made a point of coming home via the Place du Trocadéro, over which a bronze Franklin presides. Sometimes I felt closer to him there than I did in the archives. That is the blessed thing about France: the history is always close to the surface. I suppose it was why we went.
Le Père Tanguy
HENRI PERRUCHOT
HERE IS A piece about a person who, outside of art history circles, is little known to the museumgoing general public. But le père Tanguy—Father Tanguy?—has long been one of my favorite personalities of the French Impressionist period, and he is the subject of one of my favorite paintings by Van Gogh, in the permanent collection of the Musée Rodin.
Van Gogh painted three portraits of Tanguy, with the canvas in the Musée Rodin (circa 1887) being the most famous. The portrait shows Tanguy as an elderly man wearing a Breton straw hat against a background of colorful Japanese prints. At this time in the late 1800s, Japan was just beginning to open up to the Western world, and Japanese porcelain was being exported to France. The porcelain was wrapped