Passenger to Frankfurt - Agatha Christie [19]
A few minutes later he had turned into a small café and sat there behind a table, ordering coffee. Then he looked at what was in his hand. It was a very thin oilskin envelope. Inside it was a cheap quality white envelope. That too he opened. What was inside surprised him. It was a ticket.
A ticket for the Festival Hall for the following evening.
Chapter 5
Wagnerian Motif
Sir Stafford Nye adjusted himself more comfortably in his seat and listened to the persistent hammering of the Nibelungen, with which the programme began.
Though he enjoyed Wagnerian opera, Siegfried was by no means his favourite of the operas composing the Ring. Rheingold and Götterdämmerung were his two preferences. The music of the young Siegfried, listening to the songs of the birds, had always for some strange reason irritated him instead of filling him with melodic satisfaction. It might have been because he went to a performance in Munich in his young days which had displayed a magnificent tenor of unfortunately over-magnificent proportions, and he had been too young to divorce the joy of music from the visual joy of seeing a young Siegfried that looked even passably young. The fact of an outsized tenor rolling about on the ground in an access of boyishness had revolted him. He was also not particularly fond of birds and forest murmurs. No, give him the Rhine Maidens every time, although in Munich even the Rhine Maidens in those days had been of fairly solid proportions. But that mattered less. Carried away by the melodic flow of water and the joyous impersonal song, he had not allowed visual appreciation to matter.
From time to time he looked about him casually. He had taken his seat fairly early. It was a full house, as it usually was. The intermission came. Sir Stafford rose and looked about him. The seat beside his had remained empty. Someone who was supposed to have arrived had not arrived. Was that the answer, or was it merely a case of being excluded because someone had arrived late, which practice still held on the occasions when Wagnerian music was listened to.
He went out, strolled about, drank a cup of coffee, smoked a cigarette, and returned when the summons came. This time, as he drew near, he saw that the seat next to his was filled. Immediately his excitement returned. He regained his seat and sat down. Yes, it was the woman of the Frankfurt Air Lounge. She did not look at him, she was looking straight ahead. Her face in profile was as clean-cut and pure as he remembered it. Her head turned slightly, and her eyes passed over him but without recognition. So intent was that non-recognition that it was as good as a word spoken. This was a meeting that was not to be acknowledged. Not now, at any event. The lights began to dim. The woman beside him turned.
‘Excuse me, could I look at your programme? I have dropped mine, I’m afraid, coming to my seat.’
‘Of course,’ he said.
He handed over the programme and she took it from him. She opened it, studied the items. The lights went lower. The second half of the programme began. It started with the overture to Lohengrin. At the end of it she handed back the programme to him with a few words of thanks.
‘Thank you so much. It was very kind of you.’
The next item was the Siegfried forest murmur music. He consulted the programme she had returned to him. It was then that he noticed something faintly pencilled at the foot of a page. He did not attempt to read it now. Indeed, the light would have not been sufficient. He merely closed the programme and held it. He had not, he was quite sure, written anything there himself. Not, that is, in his own programme. She had, he thought, had her own