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Passenger to Frankfurt - Agatha Christie [47]

By Root 573 0
It was rather like a wedding procession, Stafford Nye thought. A naval or military one. In this case surely, military, strictly military–but lacking a bridegroom.

They were all young men of super physique. None of them, he thought, was older than thirty. They had good looks, their health was evident. They did not smile, they were entirely serious, they were–he thought of a word for it–yes, dedicated. Perhaps not so much a military procession as a religious one. The servitors appeared, old-fashioned servitors belonging, he thought, to the Schloss’s past, to a time before the 1939 war. It was like a super production of a period historic play. And queening over it, sitting in the chair or the throne or whatever you liked to call it, at the head of the table, was not a queen or an empress but an old woman noticeable mainly for her avoirdupois weight and her extraordinary and intense ugliness. Who was she? What was she doing here? Why?

Why all this masquerade, why this bodyguard, a security bodyguard perhaps? Other diners came to the table. They bowed to the monstrosity on the presiding throne and took their places. They wore ordinary evening dress. No introductions were made.

Stafford Nye, after long years of sizing up people, assessed them. Different types. A great many different types. Lawyers, he was certain. Several lawyers. Possibly accountants or financiers; one or two army officers in plain clothes. They were of the Household, he thought, but they were also in the old-fashioned feudal sense of the term those who ‘sat below the salt’.

Food came. A vast boar’s head pickled in aspic, venison, a cool refreshing lemon sorbet, a magnificent edifice of pastry–a super millefeuille that seemed of unbelievable confectionary richness.

The vast woman ate, ate greedily, hungrily, enjoying her food. From outside came a new sound. The sound of the powerful engine of a super sports car. It passed the windows in a white flash. There came a cry inside the room from the bodyguard. A great cry of ‘Heil! Heil! Heil Franz!’

The bodyguard of young men moved with the ease of a military manoeuvre known by heart. Everyone had risen to their feet. Only the old woman sat without moving, her head lifted high, on her dais. And, so Stafford Nye thought, a new excitement now permeated the room.

The other guests, or the other members of the household, whatever they were, disappeared in a way that somehow reminded Stafford of lizards disappearing into the cracks of a wall. The golden-haired boys formed a new figure, their swords flew out, they saluted their patroness, she bowed her head in acknowledgment, their swords were sheathed and they turned, permission given, to march out through the door of the room. Her eyes followed them, then went first to Renata, and then to Stafford Nye.

‘What do you think of them?’ she said. ‘My boys, my youth corps, my children. Yes, my children. Have you a word that can describe them?’

‘I think so,’ said Stafford Nye. ‘Magnificent.’ He spoke to her as to Royalty. ‘Magnificent, ma’am.’

‘Ah!’ She bowed her head. She smiled, the wrinkles multiplying all over her face. It made her look exactly like a crocodile.

A terrible woman, he thought, a terrible woman, impossible, dramatic. Was any of this happening? He couldn’t believe it was. What could this be but yet another festival hall in which a production was being given.

The doors clashed open again. The yellow-haired band of the young supermen marched as before through it. This time they did not wield swords, instead they sang. Sang with unusual beauty of tone and voice.

After a good many years of pop music Stafford Nye felt an incredulous pleasure. Trained voices, these. Not raucous shouting. Trained by masters of the singing art. Not allowed to strain their vocal cords, to be off key. They might be the new Heroes of a New World, but what they sang was not new music. It was music he had heard before. An arrangement of the Preislied, there must be a concealed orchestra somewhere, he thought, in a gallery round the top of the room. It was an arrangement or adaptation

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