Penguin Island [85]
sublime when you had but candour and good-will. Of what were you proud, Bidault-Coquille? Of having been one of the first to know that Pyrot was innocent and Greatauk a scoundrel. But three-fourths of those who defended Greatauk against the attacks of the seven hundred Pyrotists knew that better than you. Of what then did you show yourself so proud? Of having dared to say what you thought? That is civic courage, and, like military courage, it is a mere result of imprudence. You have been imprudent. So far so good, but that is no reason for praising yourself beyond measure. Your imprudence was trifling; it exposed you to trifling perils; you did not risk your head by it. The Penguins have lost that cruel and sanguinary pride which formerly gave a tragic grandeur to their revolutions; it is the fatal result of the weakening of beliefs and character. Ought one to look upon oneself as a superior spirit for having shown a little more clear-sightedness than the vulgar? I am very much afraid, on the contrary, Bidault-Coquille, that you have given proof of a gross misunderstanding of the conditions of the moral and intellectual development of a people. You imagined that social injustices were threaded together like pearls and that it would be enough to pull off one in order to unfasten the whole necklace. That is a very ingenuous conception. You flattered yourself that at one stroke you were establishing justice in your own country and in the universe. You were a brave man, an honest idealist, though without much experimental philosophy. But go home to your own heart and you will recognise that you had in you a spice of malice and that our ingenuousness was not without cunning. You believed you were performing a fine moral action. You said to yourself: 'Here am I, just and courageous once for all. I can henceforth repose in the public esteem and the praise of historians.' And now that you have lost your illusions, now that you know how hard it is to redress wrongs, and that the task must ever be begun afresh, you are going back to your asteroids. You are right; but go back to them with modesty, Bidault-Coquille!"
BOOK VII. MODERN TIMES
MADAME CERES
"Only extreme things are tolerable." Count Robert de Montesquiou.
I. MADAME CLARENCE'S DRAWING-ROOM
Madame Clarence, the widow of an exalted functionary of the Republic, loved to entertain. Every Thursday she collected together some friends of modest condition who took pleasure in conversation. The ladies who went to see her, very different in age and rank, were all without money, and had all suffered much. There was a duchess who looked like a fortune-teller and a fortune-teller who looked like a duchess. Madame Clarence was pretty enough to maintain some old liaisons, but not to form new ones, and she generally inspired a quiet esteem. She had a very pretty daughter, who, since she had no dower, caused some alarm among the male guests; for the Penguins were as much afraid of portionless girls as they were of the devil himself. Eveline Clarence, noticing their reserve and perceiving its cause, used to hand them their tea with an air of disdain. Moreover, she seldom appeared at the parties and talked only to the ladies or the very young people. Her discreet and retiring presence put no restraint upon the conversation, since those who took part in it thought either that as she was a young girl she would not understand it, or that, being twenty-five years old, she might listen to everything.
One Thursday therefore, in Madame Clarence's drawing-room, the conversation turned upon love. The ladies spoke of it with pride, delicacy, and mystery, the men with discretion and fatuity; everyone took an interest in the conversation, for each one was interested in what he or she said. A great deal of wit flowed; brilliant apostrophes were launched forth and keen repartees were returned. But when Professor Haddi began to speak he overwhelmed everybody.
"It is the same with our ideas on love as with our ideas on everything else," said he, "they rest upon anterior habits whose
BOOK VII. MODERN TIMES
MADAME CERES
"Only extreme things are tolerable." Count Robert de Montesquiou.
I. MADAME CLARENCE'S DRAWING-ROOM
Madame Clarence, the widow of an exalted functionary of the Republic, loved to entertain. Every Thursday she collected together some friends of modest condition who took pleasure in conversation. The ladies who went to see her, very different in age and rank, were all without money, and had all suffered much. There was a duchess who looked like a fortune-teller and a fortune-teller who looked like a duchess. Madame Clarence was pretty enough to maintain some old liaisons, but not to form new ones, and she generally inspired a quiet esteem. She had a very pretty daughter, who, since she had no dower, caused some alarm among the male guests; for the Penguins were as much afraid of portionless girls as they were of the devil himself. Eveline Clarence, noticing their reserve and perceiving its cause, used to hand them their tea with an air of disdain. Moreover, she seldom appeared at the parties and talked only to the ladies or the very young people. Her discreet and retiring presence put no restraint upon the conversation, since those who took part in it thought either that as she was a young girl she would not understand it, or that, being twenty-five years old, she might listen to everything.
One Thursday therefore, in Madame Clarence's drawing-room, the conversation turned upon love. The ladies spoke of it with pride, delicacy, and mystery, the men with discretion and fatuity; everyone took an interest in the conversation, for each one was interested in what he or she said. A great deal of wit flowed; brilliant apostrophes were launched forth and keen repartees were returned. But when Professor Haddi began to speak he overwhelmed everybody.
"It is the same with our ideas on love as with our ideas on everything else," said he, "they rest upon anterior habits whose