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Perdido Street Station - China Mieville [231]

By Root 2667 0
twists, waking the great Dayfisher with her exquisite playing.

She plays to me for a few more moments, before the noise of the morning takes her sound away, and I am left clinging to the bridge, listening to the boom of klaxons and the whistle from the trains.

That sound from far away continues, but I cannot hear it. The noises of New Crobuzon fill my ears. I will follow them, welcome them. I will let them surround me. I will dive into the hot, city life. Under arch and over stone, through the sparse bone forest of the Ribs, into the brick burrows of Badside and Dog Fenn, through the booming industry of Gross Coil. Like Lemuel sniffing for contacts I will retrace all the steps I have made. And here and there, I hope, among the spires and the crammed architecture, I will touch the immigrants, the refugees, the outsiders who remake New Crobuzon every day. This place with bastard culture. This mongrel city.

I will hear the sounds of Perrick violining or the Gnurr Kett funeral dirge or a Chet stone-riddle, or I will smell the goat porridge they eat in Neovadan or see a doorway painted with the symbols of a Cobsea printer-captain . . . A long, long way from their homes. Homeless. Home.

All around me will be New Crobuzon, seeping in through my skin.

When I return to Griss Twist, my companions will be waiting, and we will liberate this hijacked city. Thanklessly and unseen.

PART SIX

The Glasshouse

CHAPTER FORTY-TWO

The streets of Riverskin inclined gently upwards towards the Glasshouse. The houses were old and tall, with rotting wooden frames and walls of damp plaster. Every rain saturated and blistered them, sent slates cascading from the steep roofs as rusted nails dissolved. Riverskin seemed to sweat, gently, in the slow heat.

The southern half of Riverskin was indistinguishable from Flyside, which it adjoined. It was cheap and not too violent, crowded, mostly good-natured. It was a mixed area, with a large human majority beside small colonies of vodyanoi by the quiet canal, a few solitary outcast cactacae, even a little two-street khepri hive, a rare traditional community outside of Kinken and Creekside. Southern Riverskin was also home to some of the city’s small number of more exotic races. There was a shop run by a hotchi family in Bekman Avenue, their spines carefully filed blunt so as not to intimidate their neighbours. There was a homeless llorgiss, which kept its barrel body full of drink and staggered the streets on three unsteady legs.

But northern Riverskin was very different. It was quieter, more sullen. It was the preserve of the cactacae.

Large as the Glasshouse was, it could not possibly contain all the cactacae of the city, not even those who kept faith with tradition. At least two-thirds of New Crobuzon’s cactus people lived outside its protective glass. They packed the Riverskin slums, and a few other quarters in places like Syriac and Abrogate Green. But Riverskin was the centre of their city, and there they mixed in equal numbers with human locals. They were the cactus underclass, who entered the Glasshouse to shop and worship, but were forced to live in the infidel city.

Some rebelled. Angry cactacae youths vowed never to enter the Glasshouse which had betrayed them. They referred to it ironically by an older, obsolete name: the Nursery. They scarred themselves and fought in brutal, pointless and exciting gangfights. Sometimes they terrorized the neighbourhood, mugging and stealing from the humans and cactacae elders who shared their streets.

Outside, in Riverskin, the cactus people were surly and quiet. They worked for their human or vodyanoi bosses without demur or enthusiasm. They did not communicate with their workmates of other races in anything more than curt grunts. Their behaviour inside the walls of the Glasshouse was never seen.

The Glasshouse itself was a huge, flattened dome. On the ground, its diameter was more than a quarter of a mile. At its peak, it was eighty yards high. Its base was angled to sit tight on the listing streets of Riverskin.

The framework was

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