pg1845 [30]
Mainly architectural, the beauties of Oxford. True, the place is no longer one-sexed. There are the virguncules of Somerville and Lady Margaret's Hall; but beauty and the lust for learning have yet to be allied. There are the innumerable wives and daughters around the Parks, running in and out of their little red-brick villas; but the indignant shade of celibacy seems to have called down on the dons a Nemesis which precludes them from either marrying beauty or begetting it. (From the Warden's son, that unhappy curate, Zuleika inherited no tittle of her charm. Some of it, there is no doubt, she did inherit from the circus-rider who was her mother.)
But the casual feminine visitors? Well, the sisters and cousins of an undergraduate seldom seem more passable to his comrades than to himself. Altogether, the instinct of sex is not pandered to in Oxford. It is not, however, as it may once have been, dormant. The modern importation of samples of femininity serves to keep it alert, though not to gratify it. A like result is achieved by another modern development—photography. The undergraduate may, and usually does, surround himself with photographs of pretty ladies known to the public. A phantom harem! Yet the houris have an effect on their sultan. Surrounded both by plain women of flesh and blood and by beauteous women on pasteboard, the undergraduate is the easiest victim of living loveliness—is as a fire ever well and truly laid, amenable to a spark. And if the spark be such a flaring torch as Zuleika?—marvel not, reader, at the conflagration.
Not only was the whole throng of youths drawing asunder before her: much of it, as she passed, was forming up in her wake. Thus, with the confluence of two masses—one coming away from the river, the other returning to it—chaos seethed around her and the Duke before they were half-way along the avenue. Behind them, and on either side of them, the people were crushed inextricably together, swaying and surging this way and that. "Help!" cried many a shrill feminine voice. "Don't push!" "Let me out!" "You brute!" "Save me, save me!" Many ladies fainted, whilst their escorts, supporting them and protecting them as best they could, peered over the heads of their fellows for one glimpse of the divine Miss Dobson. Yet for her and the Duke, in the midst of the terrific compress, there was space enough. In front of them, as by a miracle of deference, a way still cleared itself. They reached the end of the avenue without a pause in their measured progress. Nor even when they turned to the left, along the rather narrow path beside the barges, was there any obstacle to their advance. Passing evenly forward, they alone were cool, unhustled, undishevelled.
The Duke was so rapt in his private thoughts that he was hardly conscious of the strange scene. And as for Zuleika, she, as well she might be, was in the very best of good humours.
"What a lot of house-boats!" she exclaimed. "Are you going to take me on to one of them?"
The Duke started. Already they were alongside the Judas barge. "Here," he said, "is our goal."
He stepped through the gate of the railings, out upon the plank, and offered her his hand.
She looked back. The young men in the vanguard were crushing their shoulders against the row behind them, to stay the oncoming host. She had half a mind to go back through the midst of them; but she really did want her tea, and she followed the Duke on to the barge, and under his auspices climbed the steps to the roof.
It looked very cool and gay, this roof, under its awning of red and white stripes. Nests of red and white flowers depended along either side of it. Zuleika moved to the side which commanded a view of the bank. She leaned her arms on the balustrade, and gazed down.
The crowd stretched as far as she could see—a vista of faces upturned to her. Suddenly it hove forward. Its vanguard was swept irresistibly past the barge—swept by the desire of the rest to see her at closer quarters. Such was the impetus that the vision for each