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By Root 3799 0
young men were the victims less of Zuleika than of the Duke's example, and of one another. A crowd, proportionately to its size, magnifies all that in its units pertains to the emotions, and diminishes all that in them pertains to thought. It was because these undergraduates were a crowd that their passion for Zuleika was so intense; and it was because they were a crowd that they followed so blindly the lead given to them. To die for Miss Dobson was "the thing to do." The Duke was going to do it. The Junta was going to do it. It is a hateful fact, but we must face the fact, that snobbishness was one of the springs to the tragedy here chronicled.

We may set to this crowd's credit that it refrained now from following Zuleika. Not one of the ladies present was deserted by her escort. All the men recognised the Duke's right to be alone with Zuleika now. We may set also to their credit that they carefully guarded the ladies from all knowledge of what was afoot.

Side by side, the great lover and his beloved wandered away, beyond the light of the Japanese lanterns, and came to Salt Cellar.

The moon, like a gardenia in the night's button-hole—but no! why should a writer never be able to mention the moon without likening her to something else—usually something to which she bears not the faintest resemblance?... The moon, looking like nothing whatsoever but herself, was engaged in her old and futile endeavour to mark the hours correctly on the sun-dial at the centre of the lawn. Never, except once, late one night in the eighteenth century, when the toper who was Sub-Warden had spent an hour in trying to set his watch here, had she received the slightest encouragement. Still she wanly persisted. And this was the more absurd in her because Salt Cellar offered very good scope for those legitimate effects of hers which we one and all admire. Was it nothing to her to have cut those black shadows across the cloisters? Was it nothing to her that she so magically mingled her rays with the candle-light shed forth from Zuleika's bedroom? Nothing, that she had cleansed the lawn of all its colour, and made of it a platform of silver-grey, fit for fairies to dance on?

If Zuleika, as she paced the gravel path, had seen how transfigured—how nobly like the Tragic Muse—she was just now, she could not have gone on bothering the Duke for a keepsake of the tragedy that was to be.

She was still set on having his two studs. He was still firm in his refusal to misappropriate those heirlooms. In vain she pointed out to him that the pearls he meant, the white ones, no longer existed; that the pearls he was wearing were no more "entailed" than if he had got them yesterday. "And you actually DID get them yesterday," she said. "And from me. And I want them back."

"You are ingenious," he admitted. "I, in my simple way, am but head of the Tanville-Tankerton family. Had you accepted my offer of marriage, you would have had the right to wear these two pearls during your life-time. I am very happy to die for you. But tamper with the property of my successor I cannot and will not. I am sorry," he added.

"Sorry!" echoed Zuleika. "Yes, and you were 'sorry' you couldn't dine with me to-night. But any little niggling scruple is more to you than I am. What old maids men are!" And viciously with her fan she struck one of the cloister pillars.

Her outburst was lost on the Duke. At her taunt about his not dining with her, he had stood still, clapping one hand to his brow. The events of the early evening swept back to him—his speech, its unforeseen and horrible reception. He saw again the preternaturally solemn face of Oover, and the flushed faces of the rest. He had thought, as he pointed down to the abyss over which he stood, these fellows would recoil, and pull themselves together. They had recoiled, and pulled themselves together, only in the manner of athletes about to spring. He was responsible for them. His own life was his to lose: others he must not squander. Besides, he had reckoned to die alone, unique; aloft and apart... "There is something

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