pg1845 [69]
"Thank you, my Lord," said the boy, and went his way, as happy as a postman.
XV
Humphrey Greddon, in the Duke's place, would have taken a pinch of snuff. But he could not have made that gesture with a finer air than the Duke gave to its modern equivalent. In the art of taking and lighting a cigarette, there was one man who had no rival in Europe. This time he outdid even himself.
"Ah," you say, "but 'pluck' is one thing, endurance another. A man who doesn't reel on receipt of his death-warrant may yet break down when he has had time to think it over. How did the Duke acquit himself when he came to the end of his cigarette? And by the way, how was it that after he had read the telegram you didn't give him again an hour's grace?"
In a way, you have a perfect right to ask both those questions. But their very pertinence shows that you think I might omit things that matter. Please don't interrupt me again. Am I writing this history, or are you?
Though the news that he must die was a yet sharper douche, as you have suggested, than the douche inflicted by Zuleika, it did at least leave unscathed the Duke's pride. The gods can make a man ridiculous through a woman, but they cannot make him ridiculous when they deal him a blow direct. The very greatness of their power makes them, in that respect, impotent. They had decreed that the Duke should die, and they had told him so. There was nothing to demean him in that. True, he had just measured himself against them. But there was no shame in being gravelled. The peripety was according to the best rules of tragic art. The whole thing was in the grand manner.
Thus I felt that there were no indelicacy, this time, in watching him. Just as "pluck" comes of breeding, so is endurance especially an attribute of the artist. Because he can stand outside himself, and (if there be nothing ignoble in them) take a pleasure in his own sufferings, the artist has a huge advantage over you and me. The Duke, so soon as Zuleika's spell was broken, had become himself again—a highly self-conscious artist in life. And now, standing pensive on the doorstep, he was almost enviable in his great affliction.
Through the wreaths of smoke which, as they came from his lips, hung in the sultry air as they would have hung in a closed room, he gazed up at the steadfast thunder-clouds. How nobly they had been massed for him! One of them, a particularly large and dark one, might with advantage, he thought, have been placed a little further to the left. He made a gesture to that effect. Instantly the cloud rolled into position. The gods were painfully anxious, now, to humour him in trifles. His behaviour in the great emergency had so impressed them at a distance that they rather dreaded meeting him anon at close quarters. They rather wished they had not uncaged, last night, the two black owls. Too late. What they had done they had done.
That faint monotonous sound in the stillness of the night—the Duke remembered it now. What he had thought to be only his fancy had been his death-knell, wafted to him along uncharted waves of ether, from the battlements of Tankerton. It had ceased at daybreak. He wondered now that he had not guessed its meaning. And he was glad that he had not. He was thankful for the peace that had been granted to him, the joyous arrogance in which he had gone to bed and got up for breakfast. He valued these mercies the more for the great tragic irony that came of them. Aye, and he was inclined to blame the gods for not having kept him still longer in the dark and so made the irony still more awful. Why had they not caused the telegram to be delayed in transmission? They ought to have let him go and riddle Zuleika with his scorn and his indifference. They ought to have let him hurl through her his defiance of them. Art aside, they need not have grudged him that excursion.
He could not, he told himself, face Zuleika now. As artist, he saw that there was irony enough left over to make