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"Then why are you leaving? Why are you breaking my heart?"
"Suffice it that I cannot do otherwise. Henceforth you will see me no more. But I doubt not that in the cultivation of my memory you will find some sort of lugubrious satisfaction. See! here are the ear-rings. If you like, I will put them in with my own hands."
She held up her face side-ways. Into the lobe of her left ear he insinuated the hook of the black pearl. On the cheek upturned to him there were still traces of tears; the eyelashes were still spangled. For all her blondness, they were quite dark, these glistening eyelashes. He had an impulse, which he put from him. "Now the other ear," he said. The girl turned her head. Soon the pink pearl was in its place. Yet the girl did not move. She seemed to be waiting. Nor did the Duke himself seem to be quite satisfied. He let his fingers dally with the pearl. Anon, with a sigh, he withdrew them. The girl looked up. Their eyes met. He looked away from her. He turned away from her. "You may kiss my hand," he murmured, extending it towards her. After a pause, the warm pressure of her lips was laid on it. He sighed, but did not look round. Another pause, a longer pause, and then the clatter and clink of the outgoing tray.
XVIII
Her actual offspring does not suffice a very motherly woman. Such a woman was Mrs. Batch. Had she been blest with a dozen children, she must yet have regarded herself as also a mother to whatever two young gentlemen were lodging under her roof. Childless but for Katie and Clarence, she had for her successive pairs of tenants a truly vast fund of maternal feeling to draw on. Nor were the drafts made in secret. To every gentleman, from the outset, she proclaimed the relation in which she would stand to him. Moreover, always she needed a strong filial sense in return: this was only fair.
Because the Duke was an orphan, even more than because he was a Duke, her heart had with a special rush gone out to him when he and Mr. Noaks became her tenants. But, perhaps because he had never known a mother, he was evidently quite incapable of conceiving either Mrs. Batch as his mother or himself as her son. Indeed, there was that in his manner, in his look, which made her falter, for once, in exposition of her theory—made her postpone the matter to some more favourable time. That time never came, somehow. Still, her solicitude for him, her pride in him, her sense that he was a great credit to her, rather waxed than waned. He was more to her (such are the vagaries of the maternal instinct) than Katie or Mr. Noaks: he was as much as Clarence.
It was, therefore, a deeply agitated woman who now came heaving up into the Duke's presence. His Grace was "giving notice"? She was sure she begged his pardon for coming up so sudden. But the news was that sudden. Hadn't her girl made a mistake, maybe? Girls were so vague-like nowadays. She was sure it was most kind of him to give those handsome ear-rings. But the thought of him going off so unexpected—middle of term, too—with never a why or a but! Well!
In some such welter of homely phrase (how foreign to these classic pages!) did Mrs. Batch utter her pain. The Duke answered her tersely but kindly. He apologised for going so abruptly, and said he would be very happy to write for her future use a testimonial to the excellence of her rooms and of her cooking; and with it he would give her a cheque not only for the full term's rent, and for his board since the beginning of term, but also for such board as he would have been likely to have in the term's remainder. He asked her to present her accounts forthwith.
He occupied the few minutes of her absence by writing the testimonial. It had shaped itself in his mind as a short ode in Doric Greek. But, for the benefit of Mrs. Batch, he chose to do a rough equivalent in English.
TO AN UNDERGRADUATE NEEDING
ROOMS IN OXFORD
(A Sonnet in Oxfordshire Dialect)
Zeek w'ere thee will in t'Univursity,
Lad, thee'll