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next but two to Lawrence's. It deserves, I know, all that you said about it when (at the very time of the events in this chronicle) it was hanging in Burlington House. Marvellous, I grant you, are those passes of the swirling brush by which the velvet of the mantle is rendered—passes so light and seemingly so fortuitous, yet, seen at the right distance, so absolute in their power to create an illusion of the actual velvet. Sheen of white satin and silk, glint of gold, glitter of diamonds—never were such things caught by surer hand obedient to more voracious eye. Yes, all the splendid surface of everything is there. Yet must you not look. The soul is not there. An expensive, very new costume is there, but no evocation of the high antique things it stands for; whereas by the Duke it was just these things that were evoked to make an aura round him, a warm symbolic glow sharpening the outlines of his own particular magnificence. Reflecting him, the mirror reflected, in due subordination, the history of England. There is nothing of that on Mr. Sargent's canvas. Obtruded instead is the astounding slickness of Mr. Sargent's technique: not the sitter, but the painter, is master here. Nay, though I hate to say it, there is in the portrayal of the Duke's attitude and expression a hint of something like mockery—unintentional, I am sure, but to a sensitive eye discernible. And—but it is clumsy of me to be reminding you of the very picture I would have you forget.

Long stood the Duke gazing, immobile. One thing alone ruffled his deep inward calm. This was the thought that he must presently put off from him all his splendour, and be his normal self.

The shadow passed from his brow. He would go forth as he was. He would be true to the motto he wore, and true to himself. A dandy he had lived. In the full pomp and radiance of his dandyism he would die.

His soul rose from calm to triumph. A smile lit his face, and he held his head higher than ever. He had brought nothing into this world and could take nothing out of it? Well, what he loved best he could carry with him to the very end; and in death they would not be divided.

The smile was still on his face as he passed out from his room. Down the stairs he passed, and "Oh," every stair creaked faintly, "I ought to have been marble!"

And it did indeed seem that Mrs. Batch and Katie, who had hurried out into the hall, were turned to some kind of stone at sight of the descending apparition. A moment ago, Mrs. Batch had been hoping she might yet at the last speak motherly words. A hopeless mute now! A moment ago, Katie's eyelids had been red with much weeping. Even from them the colour suddenly ebbed now. Dead-white her face was between the black pearl and the pink. "And this is the man of whom I dared once for an instant hope that he loved me!"—it was thus that the Duke, quite correctly, interpreted her gaze.

To her and to her mother he gave an inclusive bow as he swept slowly by. Stone was the matron, and stone the maid.

Stone, too, the Emperors over the way; and the more poignantly thereby was the Duke a sight to anguish them, being the very incarnation of what themselves had erst been, or tried to be. But in this bitterness they did not forget their sorrow at his doom. They were in a mood to forgive him the one fault they had ever found in him—his indifference to their Katie. And now—o mirum mirorum—even this one fault was wiped out.

For, stung by memory of a gibe lately cast at him by himself, the Duke had paused and, impulsively looking back into the hall, had beckoned Katie to him; and she had come (she knew not how) to him; and there, standing on the doorstep whose whiteness was the symbol of her love, he—very lightly, it is true, and on the upmost confines of the brow, but quite perceptibly—had kissed her.

XIX


And now he had passed under the little arch between the eighth and the ninth Emperor, rounded the Sheldonian, and been lost to sight of Katie, whom, as he was equally glad and sorry he had kissed her, he was able to dismiss from his mind.

In the

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