pg1845 [98]
Stroke by measured and leisured stroke, the old euphonious clangour pervaded Oxford, spreading out over the meadows, along the river, audible in Iffley. But to the dim groups gathering and dispersing on either bank, and to the silent workers in the boats, the bell's message came softened, equivocal; came as a requiem for these dead.
Over the closed gates of Iffley lock, the water gushed down, eager for the sacrament of the sea. Among the supine in the field hard by, there was one whose breast bore a faint-gleaming star. And bending over him, looking down at him with much love and pity in her eyes, was the shade of Nellie O'Mora, that "fairest witch," to whose memory he had to-day atoned.
And yonder, "sitting upon the river-bank o'ergrown," with questioning eyes, was another shade, more habituated to these haunts—the shade known so well to bathers "in the abandoned lasher," and to dancers "around the Fyfield elm in May." At the bell's final stroke, the Scholar Gipsy rose, letting fall on the water his gathered wild-flowers, and passed towards Cumnor.
And now, duly, throughout Oxford, the gates of the Colleges were closed, and closed were the doors of the lodging-houses. Every night, for many years, at this hour precisely, Mrs. Batch had come out from her kitchen, to turn the key in the front-door. The function had long ago become automatic. To-night, however, it was the cue for further tears. These did not cease at her return to the kitchen, where she had gathered about her some sympathetic neighbours—women of her own age and kind, capacious of tragedy; women who might be relied on; founts of ejaculation, wells of surmise, downpours of remembered premonitions.
With his elbows on the kitchen table, and his knuckles to his brow, sat Clarence, intent on belated "prep." Even an eye-witness of disaster may pall if he repeat his story too often. Clarence had noted in the last recital that he was losing his hold on his audience. So now he sat committing to memory the names of the cantons of Switzerland, and waving aside with a harsh gesture such questions as were still put to him by the women.
Katie had sought refuge in the need for "putting the gentlemen's rooms straight," against the arrival of the two families to-morrow. Duster in hand, and by the light of a single candle that barely survived the draught from the open window, she moved to and fro about the Duke's room, a wan and listless figure, casting queerest shadows on the ceiling. There were other candles that she might have lit, but this ambiguous gloom suited her sullen humour. Yes, I am sorry to say, Katie was sullen. She had not ceased to mourn the Duke; but it was even more anger than grief that she felt at his dying. She was as sure as ever that he had not loved Miss Dobson; but this only made it the more outrageous that he had died because of her. What was there in this woman that men should so demean themselves for her? Katie, as you know, had at first been unaffected by the death of the undergraduates at large. But, because they too had died for Zuleika, she was bitterly incensed against them now. What could they have admired in such a woman? She didn't even look like a lady. Katie caught the dim reflection of herself in the mirror. She took the candle from the table, and examined the reflection closely. She was sure she was just as pretty as Miss Dobson. It was only the clothes that made the difference—the clothes and the behaviour. Katie threw back her head, and smiled brilliantly, hand on hip. She nodded reassuringly at herself; and the black pearl and the pink danced a duet. She put the candle down, and undid her hair, roughly parting it on one side, and letting it sweep down over the further eyebrow. She fixed it in that fashion, and posed accordingly. Now! But gradually her smile relaxed, and a mist came to