pg2021 [151]
He spoke in an abrupt, independent tone, but evidently he was communicative with a purpose. He told Charles Gould that he had been a ranchero in one of the lower valleys, far south, a neighbour of Hernandez in the old days, and godfather to his eldest boy; one of those who joined him in his resistance to the recruiting raid which was the beginning of all their misfortunes. It was he that, when his compadre had been carried off, had buried his wife and children, murdered by the soldiers.
"Si, senor," he muttered, hoarsely, "I and two or three others, the lucky ones left at liberty, buried them all in one grave near the ashes of their ranch, under the tree that had shaded its roof."
It was to him, too, that Hernandez came after he had deserted, three years afterwards. He had still his uniform on with the sergeant's stripes on the sleeve, and the blood of his colonel upon his hands and breast. Three troopers followed him, of those who had started in pursuit but had ridden on for liberty. And he told Charles Gould how he and a few friends, seeing those soldiers, lay in ambush behind some rocks ready to pull the trigger on them, when he recognized his compadre and jumped up from cover, shouting his name, because he knew that Hernandez could not have been coming back on an errand of injustice and oppression. Those three soldiers, together with the party who lay behind the rocks, had formed the nucleus of the famous band, and he, the narrator, had been the favourite lieutenant of Hernandez for many, many years. He mentioned proudly that the officials had put a price upon his head, too; but it did not prevent it getting sprinkled with grey upon his shoulders. And now he had lived long enough to see his compadre made a general.
He had a burst of muffled laughter. "And now from robbers we have become soldiers. But look, Caballero, at those who made us soldiers and him a general! Look at these people!"
Ignacio shouted. The light of the carriage lamps, running along the nopal hedges that crowned the bank on each side, flashed upon the scared faces of people standing aside in the road, sunk deep, like an English country lane, into the soft soil of the Campo. They cowered; their eyes glistened very big for a second; and then the light, running on, fell upon the half-denuded roots of a big tree, on another stretch of nopal hedge, caught up another bunch of faces glaring back apprehensively. Three women—of whom one was carrying a child—and a couple of men in civilian dress—one armed with a sabre and another with a gun—were grouped about a donkey carrying two bundles tied up in blankets. Further on Ignacio shouted again to pass a carreta, a long wooden box on two high wheels, with the door at the back swinging open. Some ladies in it must have recognized the white mules, because they screamed out, "Is it you, Dona Emilia?"
At the turn of the road the glare of a big fire filled the short stretch vaulted over by the branches meeting overhead. Near the ford of a shallow stream a roadside rancho of woven rushes and a roof of grass had been set on fire by accident, and the flames, roaring viciously, lit up an open space blocked with horses, mules, and a distracted, shouting crowd of people. When Ignacio pulled up, several ladies on foot assailed the carriage, begging Antonia for a seat. To their clamour she answered by pointing silently to her father.
"I must leave you here," said Charles Gould, in the uproar. The flames leaped up sky-high, and in the recoil from the scorching heat across the road the stream of fugitives pressed against the carriage. A middle-aged lady dressed in black silk, but with a coarse manta over her head and a rough branch for a stick in her hand, staggered against the front wheel. Two young girls, frightened and silent, were clinging to her arms. Charles Gould knew her very well.
"Misericordia! We are getting terribly bruised in this crowd!" she exclaimed, smiling up courageously to him. "We