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As to their own histories I have tried to set them down, Aristocracy and People, men and women, Latin and Anglo-Saxon, bandit and politician, with as cool a hand as was possible in the heat and clash of my own conflicting emotions. And after all this is also the story of their conflicts. It is for the reader to say how far they are deserving of interest in their actions and in the secret purposes of their hearts revealed in the bitter necessities of the time. I confess that, for me, that time is the time of firm friendships and unforgotten hospitalities. And in my gratitude I must mention here Mrs. Gould, "the first lady of Sulaco," whom we may safely leave to the secret devotion of Dr. Monygham, and Charles Gould, the Idealist-creator of Material Interests whom we must leave to his Mine—from which there is no escape in this world.
About Nostromo, the second of the two racially and socially contrasted men, both captured by the silver of the San Tome Mine, I feel bound to say something more.
I did not hesitate to make that central figure an Italian. First of all the thing is perfectly credible: Italians were swarming into the Occidental Province at the time, as anybody who will read further can see; and secondly, there was no one who could stand so well by the side of Giorgio Viola the Garibaldino, the Idealist of the old, humanitarian revolutions. For myself I needed there a Man of the People as free as possible from his class-conventions and all settled modes of thinking. This is not a side snarl at conventions. My reasons were not moral but artistic. Had he been an Anglo-Saxon he would have tried to get into local politics. But Nostromo does not aspire to be a leader in a personal game. He does not want to raise himself above the mass. He is content to feel himself a power—within the People.
But mainly Nostromo is what he is because I received the inspiration for him in my early days from a Mediterranean sailor. Those who have read certain pages of mine will see at once what I mean when I say that Dominic, the padrone of the Tremolino, might under given circumstances have been a Nostromo. At any rate Dominic would have understood the younger man perfectly—if scornfully. He and I were engaged together in a rather absurd adventure, but the absurdity does not matter. It is a real satisfaction to think that in my very young days there must, after all, have been something in me worthy to command that man's half-bitter fidelity, his half-ironic devotion. Many of Nostromo's speeches I have heard first in Dominic's voice. His hand on the tiller and his fearless eyes roaming the horizon from within the monkish hood shadowing his face, he would utter the usual exordium of his remorseless wisdom: "Vous autres gentilhommes!" in a caustic tone that hangs on my ear yet. Like Nostromo! "You hombres finos!" Very much like Nostromo. But Dominic the Corsican nursed a certain pride of ancestry from which my Nostromo is free; for Nostromo's lineage had to be more ancient still. He is a man with the weight of countless generations behind him and no parentage to boast of. . . . Like the People.
In his firm grip on the earth he inherits, in his improvidence and generosity, in his lavishness with his gifts, in his manly vanity, in the obscure sense of his greatness and in his faithful devotion with something despairing as well as desperate in its impulses, he is a Man of the People, their very own unenvious force, disdaining to lead but ruling from within. Years afterwards, grown older as the famous Captain Fidanza, with a stake in the country, going about his many affairs followed by respectful glances in the modernized streets of Sulaco, calling on the widow of the cargador, attending the Lodge, listening in unmoved silence to anarchist speeches at the meeting, the enigmatical patron of the new revolutionary agitation, the trusted, the wealthy comrade Fidanza with the knowledge of his moral ruin locked up in his breast, he remains essentially a Man of the People. In his mingled love and scorn of life and in the bewildered