pg28948 [168]
So she ground away at her work, never giving it up. Some things she liked. Her subjects were English, Latin, French, mathematics and history. Once she knew how to read French and Latin, the syntax bored her. Most tedious was the close study of English literature. Why should one remember the things one read? Something in mathematics, their cold absoluteness, fascinated her, but the actual practice was tedious. Some people in history puzzled her and made her ponder, but the political parts angered her, and she hated ministers. Only in odd streaks did she get a poignant sense of acquisition and enrichment and enlarging from her studies; one afternoon, reading As You Like It; once when, with her blood, she heard a passage of Latin, and she knew how the blood beat in a Roman's body; so that ever after she felt she knew the Romans by contact. She enjoyed the vagaries of English Grammar, because it gave her pleasure to detect the live movements of words and sentences; and mathematics, the very sight of the letters in Algebra, had a real lure for her.
She felt so much and so confusedly at this time, that her face got a queer, wondering, half-scared look, as if she were not sure what might seize upon her at any moment out of the unknown.
Odd little bits of information stirred unfathomable passion in her. When she knew that in the tiny brown buds of autumn were folded, minute and complete, the finished flowers of the summer nine months hence, tiny, folded up, and left there waiting, a flash of triumph and love went over her.
"I could never die while there was a tree," she said passionately, sententiously, standing before a great ash in worship.
It was the people who, somehow, walked as an upright menace to her. Her life at this time was unformed, palpitating, essentially shrinking from all touch. She gave something to other people, but she was never herself, since she had no self. She was not afraid nor ashamed before trees, and birds, and the sky. But she shrank violently from people, ashamed she was not as they were, fixed, emphatic, but a wavering, undefined sensibility only, without form or being.
Gudrun was at this time a great comfort and shield to her. The younger girl was a lithe, farouche animal, who mistrusted all approach, and would have none of the petty secrecies and jealousies of schoolgirl intimacy. She would have no truck with the tame cats, nice or not, because she believed that they were all only untamed cats with a nasty, untrustworthy habit of tameness.
This was a great stand-back for Ursula, who suffered agonies when she thought a person disliked her, no matter how much she despised that other person. How could anyone dislike her, Ursula Brangwen? The question terrified her and was unanswerable. She sought refuge in Gudrun's natural, proud indifference.
It had been discovered that Gudrun had a talent for drawing. This solved the problem of the girl's indifference to all study. It was said of her, "She can draw marvellously."
Suddenly Ursula found a queer awareness existed between herself and her class-mistress, Miss Inger. The latter was a rather beautiful woman of twenty-eight, a fearless-seeming, clean type of modern girl whose very independence betrays her sorrow. She was clever, and expert in what she did, accurate, quick, commanding.
To Ursula she had always given pleasure, because of her clear, decided, yet graceful appearance. She carried her head high, a little thrown back, and Ursula thought there was a look of nobility in the way she twisted her smooth brown hair upon her head. She always wore clean, attractive, well-fitting blouses, and a well-made skirt. Everything about her was so well-ordered, betraying a fine, clear spirit, that it was a pleasure to sit in her class.
Her voice was just as ringing and clear, and with unwavering, finely-touched modulation. Her eyes were blue, clear, proud, she gave one altogether the sense of a fine-mettled, scrupulously groomed person, and of an unyielding mind. Yet there was an infinite