pg28948 [172]
We do not worship power, in our enlightened souls. Power is degenerated to money and Napoleonic stupidity.
Ursula could not help dreaming of Moloch. Her God was not mild and gentle, neither Lamb nor Dove. He was the lion and the eagle. Not because the lion and the eagle had power, but because they were proud and strong; they were themselves, they were not passive subjects of some shepherd, or pets of some loving woman, or sacrifices of some priest. She was weary to death of mild, passive lambs and monotonous doves. If the lamb might lie down with the lion, it would be a great honour to the lamb, but the lion's powerful heart would suffer no diminishing. She loved the dignity and self-possession of lions.
She did not see how lambs could love. Lambs could only be loved. They could only be afraid, and tremblingly submit to fear, and become sacrificial; or they could submit to love, and become beloveds. In both they were passive. Raging, destructive lovers, seeking the moment when fear is greatest, and triumph is greatest, the fear not greater than the triumph, the triumph not greater than the fear, these were no lambs nor doves. She stretched her own limbs like a lion or a wild horse, her heart was relentless in its desires. It would suffer a thousand deaths, but it would still be a lion's heart when it rose from death, a fiercer lion she would be, a surer, knowing herself different from and separate from the great, conflicting universe that was not herself.
Winifred Inger was also interested in the Women's Movement.
"The men will do no more,—they have lost the capacity for doing," said the elder girl. "They fuss and talk, but they are really inane. They make everything fit into an old, inert idea. Love is a dead idea to them. They don't come to one and love one, they come to an idea, and they say 'You are my idea,' so they embrace themselves. As if I were any man's idea! As if I exist because a man has an idea of me! As if I will be betrayed by him, lend him my body as an instrument for his idea, to be a mere apparatus of his dead theory. But they are too fussy to be able to act; they are all impotent, they can't take a woman. They come to their own idea every time, and take that. They are like serpents trying to swallow themselves because they are hungry."
Ursula was introduced by her friend to various women and men, educated, unsatisfied people, who still moved within the smug provincial society as if they were nearly as tame as their outward behaviour showed, but who were inwardly raging and mad.
It was a strange world the girl was swept into, like a chaos, like the end of the world. She was too young to understand it all. Yet the inoculation passed into her, through her love for her mistress.
The examination came, and then school was over. It was the long vacation. Winifred Inger went away to London. Ursula was left alone in Cossethay. A terrible, outcast, almost poisonous despair possessed her. It was no use doing anything, or being anything. She had no connection with other people. Her lot was isolated and deadly. There was nothing for her anywhere, but this black disintegration. Yet, within all the great attack of disintegration upon her, she remained herself. It was the terrible core of all her suffering, that she was always herself. Never could she escape that: she could not put off being herself.
She still adhered to Winifred Inger. But a sort of nausea was coming over her. She loved her mistress. But a heavy, clogged sense of deadness began to gather upon her, from the other woman's contact. And sometimes she thought Winifred was ugly, clayey. Her female hips seemed big and earthy, her ankles and her arms were too thick. She wanted some fine intensity, instead of this heavy cleaving of moist clay, that cleaves because it has no life of its own.
Winifred still loved Ursula. She had a passion for the fine flame of the girl, she served her endlessly, would have done anything for her.
"Come with me to London," she pleaded to