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next the church, with dark yew-trees, very black old trees, along the side of the house and the grassy front garden; a red, squarish cottage with a low slate roof, and low windows. It had a long dairy-scullery, a big flagged kitchen, and a low parlour, that went up one step from the kitchen. There were whitewashed beams across the ceilings, and odd corners with cupboards. Looking out through the windows, there was the grassy garden, the procession of black yew trees down one side, and along the other sides, a red wall with ivy separating the place from the high-road and the churchyard. The old, little church, with its small spire on a square tower, seemed to be looking back at the cottage windows.

"There'll be no need to have a clock," said Will Brangwen, peeping out at the white clock-face on the tower, his neighbour.

At the back of the house was a garden adjoining the paddock, a cowshed with standing for two cows, pig-cotes and fowl-houses. Will Brangwen was very happy. Anna was glad to think of being mistress of her own place.

Tom Brangwen was now the fairy godfather. He was never happy unless he was buying something. Will Brangwen, with his interest in all wood-work, was getting the furniture. He was left to buy tables and round-staved chairs and the dressers, quite ordinary stuff, but such as was identified with his cottage.

Tom Brangwen, with more particular thought, spied out what he called handy little things for her. He appeared with a set of new-fangled cooking-pans, with a special sort of hanging lamp, though the rooms were so low, with canny little machines for grinding meat or mashing potatoes or whisking eggs.

Anna took a sharp interest in what he bought, though she was not always pleased. Some of the little contrivances, which he thought so canny, left her doubtful. Nevertheless she was always expectant, on market days there was always a long thrill of anticipation. He arrived with the first darkness, the copper lamps of his cart glowing. And she ran to the gate, as he, a dark, burly figure up in the cart, was bending over his parcels.

"It's cupboard love as brings you out so sharp," he said, his voice resounding in the cold darkness. Nevertheless he was excited. And she, taking one of the cart lamps, poked and peered among the jumble of things he had brought, pushing aside the oil or implements he had got for himself.

She dragged out a pair of small, strong bellows, registered them in her mind, and then pulled uncertainly at something else. It had a long handle, and a piece of brown paper round the middle of it, like a waistcoat.

"What's this?" she said, poking.

He stopped to look at her. She went to the lamp-light by the horse, and stood there bent over the new thing, while her hair was like bronze, her apron white and cheerful. Her fingers plucked busily at the paper. She dragged forth a little wringer, with clean indiarubber rollers. She examined it critically, not knowing quite how it worked.

She looked up at him. He stood a shadowy presence beyond the light.

"How does it go?" she asked.

"Why, it's for pulpin' turnips," he replied.

She looked at him. His voice disturbed her.

"Don't be silly. It's a little mangle," she said. "How do you stand it, though?"

"You screw it on th' side o' your wash-tub." He came and held it out to her.

"Oh, yes!" she cried, with one of her little skipping movements, which still came when she was suddenly glad.

And without another thought she ran off into the house, leaving him to untackle the horse. And when he came into the scullery, he found her there, with the little wringer fixed on the dolly-tub, turning blissfully at the handle, and Tilly beside her, exclaiming:

"My word, that's a natty little thing! That'll save you luggin' your inside out. That's the latest contraption, that is."

And Anna turned away at the handle, with great gusto of possession. Then she let Tilly have a turn.

"It fair runs by itself," said Tilly, turning on and on. "Your clothes'll nip out on to th' line."

CHAPTER

V

WEDDING AT THE MARSH


It was a beautiful sunny day

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