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How proud she was, what a lovely proud thing her young body! And she loved him to put his hand on her ripe fullness, so that he should thrill also with the stir and the quickening there. He was afraid and silent, but she flung her arms round his neck with proud, impudent joy.
The pains came on, and Oh—how she cried! She would have him stay with her. And after her long cries she would look at him, with tears in her eyes and a sobbing laugh on her face, saying:
"I don't mind it really."
It was bad enough. But to her it was never deathly. Even the fierce, tearing pain was exhilarating. She screamed and suffered, but was all the time curiously alive and vital. She felt so powerfully alive and in the hands of such a masterly force of life, that her bottom-most feeling was one of exhilaration. She knew she was winning, winning, she was always winning, with each onset of pain she was nearer to victory.
Probably he suffered more than she did. He was not shocked or horrified. But he was screwed very tight in the vise of suffering.
It was a girl. The second of silence on her face when they said so showed him she was disappointed. And a great blazing passion of resentment and protest sprang up in his heart. In that moment he claimed the child.
But when the milk came, and the infant sucked her breast, she seemed to be leaping with extravagant bliss.
"It sucks me, it sucks me, it likes me—oh, it loves it!" she cried, holding the child to her breast with her two hands covering it, passionately.
And in a few moments, as she became used to her bliss, she looked at the youth with glowing, unseeing eyes, and said:
"Anna Victrix."
He went away, trembling, and slept. To her, her pains were the wound-smart of a victor, she was the prouder.
When she was well again she was very happy. She called the baby Ursula. Both Anna and her husband felt they must have a name that gave them private satisfaction. The baby was tawny skinned, it had a curious downy skin, and wisps of bronze hair, and the yellow grey eyes that wavered, and then became golden-brown like the father's. So they called her Ursula because of the picture of the saint.
It was a rather delicate baby at first, but soon it became stronger, and was restless as a young eel. Anna was worn out with the day-long wrestling with its young vigour.
As a little animal, she loved and adored it and was happy. She loved her husband, she kissed his eyes and nose and mouth, and made much of him, she said his limbs were beautiful, she was fascinated by the physical form of him.
And she was indeed Anna Victrix. He could not combat her any more. He was out in the wilderness, alone with her. Having occasion to go to London, he marvelled, as he returned, thinking of naked, lurking savages on an island, how these had built up and created the great mass of Oxford Street or Piccadilly. How had helpless savages, running with their spears on the riverside, after fish, how had they come to rear up this great London, the ponderous, massive, ugly superstructure of a world of man upon a world of nature! It frightened and awed him. Man was terrible, awful in his works. The works of man were more terrible than man himself, almost monstrous.
And yet, for his own part, for his private being, Brangwen felt that the whole of the man's world was exterior and extraneous to his own real life with Anna. Sweep away the whole monstrous superstructure of the world of to-day, cities and industries and civilization, leave only the bare earth with plants growing and waters running, and he would not mind, so long as he were whole, had Anna and the child and the new, strange certainty in his soul. Then, if he were naked, he would find clothing somewhere, he would make a shelter and bring food to his wife.
And what more? What more would