became again with a look that measured her from top to toe all mere long-handled appreciative tortoise-shell. She had struck our friend, from the first of her appearing, as dressed for a great occasion, and she met still more than on either of the others the conception reawakened in him at their garden-party, the idea of the femme du monde in her habit as she lived. Her bare shoulders and arms were white and beautiful; the materials of her dress, a mixture, as he supposed, of silk and crape, were of a silvery grey so artfully composed as to give an impression of warm splendour; and round her neck she wore a collar of large old emeralds, the green note of which was more dimly repeated, at other points of her apparel, in embroidery, in enamel, in satin, in substances and textures vaguely rich. Her head, extremely fair and exquisitely festal, was like a happy fancy, a notion of the antique, on an old precious medal, some silver coin of the Renaissance; while her slim lightness and brightness, her gaiety, her expression, her decision, contributed to an effect that might have been felt by a poet as half mythological and half conventional. He could have compared her to a goddess still partly engaged in a morning cloud, or to a sea-nymph waist-high in the summer surge. Above all she suggested to him the reflexion that the femme du monde—in these finest developments of the type—was, like Cleopatra in the play, indeed various and multifold. She had aspects, characters, days, nights—or had them at least, showed them by a mysterious law of her own, when in addition to everything she happened also to be a woman of genius. She was an obscure person, a muffled person one day, and a showy person, an uncovered person the next. He thought of Madame de Vionnet to-night as showy and uncovered, though he felt the formula rough, because, thanks to one of the short-cuts of genius she had taken all his categories by surprise. Twice during dinner he had met Chad's eyes in a longish look; but these communications had in truth only stirred up again old ambiguities—so little was it clear from them whether they were an appeal or an admonition. "You see how I'm fixed," was what they appeared to convey; yet how he was fixed was exactly what Strether didn't see. However, perhaps he should see now.
"Are you capable of the very great kindness of going to relieve Newsome, for a few minutes, of the rather crushing responsibility of Madame Gloriani, while I say a word, if he'll allow me, to Mr. Strether, of whom I've a question to ask? Our host ought to talk a bit to those other ladies, and I'll come back in a minute to your rescue." She made this proposal to Miss Barrace as if her consciousness of a special duty had just flickered-up, but that lady's recognition of Strether's little start at it—as at a betrayal on the speaker's part of a domesticated state—was as mute as his own comment; and after an instant, when their fellow guest had good-naturedly left them, he had been given something else to think of. "Why has Maria so suddenly gone? Do you know?" That was the question Madame de Vionnet had brought with her.
"I'm afraid I've no reason to give you but the simple reason I've had from her in a note—the sudden obligation to join in the south a sick friend who has got worse."
"Ah then she has been writing you?"
"Not since she went—I had only a brief explanatory word before she started. I went to see her," Strether explained—"it was the day after I called on you—but she was already on her way, and her concierge told me that in case of my coming I was to be informed she had written to me. I found her note when I got home."
Madame de Vionnet listened with interest and with her eyes on Strether's face; then her delicately decorated head had a small melancholy motion. "She didn't write to ME. I went to see her," she added, "almost immediately after I had seen you, and as I assured her I would do when I met her at Gloriani's. She hadn't then told me she was to be absent, and I felt at her door as if I understood. She's absent—with all respect to her sick