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By Root 4116 0

they eventually seated themselves, on either side of a small table, at a window adjusted to the busy quay and the shining barge-burdened Seine; where, for an hour, in the matter of letting himself go, of diving deep, Strether was to feel he had touched bottom. He was to feel many things on this occasion, and one of the first of them was that he had travelled far since that evening in London, before the theatre, when his dinner with Maria Gostrey, between the pink-shaded candles, had struck him as requiring so many explanations. He had at that time gathered them in, the explanations—he had stored them up; but it was at present as if he had either soared above or sunk below them—he couldn't tell which; he could somehow think of none that didn't seem to leave the appearance of collapse and cynicism easier for him than lucidity. How could he wish it to be lucid for others, for any one, that he, for the hour, saw reasons enough in the mere way the bright clean ordered water-side life came in at the open window?—the mere way Madame de Vionnet, opposite him over their intensely white table-linen, their omelette aux tomates, their bottle of straw-coloured Chablis, thanked him for everything almost with the smile of a child, while her grey eyes moved in and out of their talk, back to the quarter of the warm spring air, in which early summer had already begun to throb, and then back again to his face and their human questions.

Their human questions became many before they had done—many more, as one after the other came up, than our friend's free fancy had at all foreseen. The sense he had had before, the sense he had had repeatedly, the sense that the situation was running away with him, had never been so sharp as now; and all the more that he could perfectly put his finger on the moment it had taken the bit in its teeth. That accident had definitely occurred, the other evening, after Chad's dinner; it had occurred, as he fully knew, at the moment when he interposed between this lady and her child, when he suffered himself so to discuss with her a matter closely concerning them that her own subtlety, marked by its significant "Thank you!" instantly sealed the occasion in her favour. Again he had held off for ten days, but the situation had continued out of hand in spite of that; the fact that it was running so fast being indeed just WHY he had held off. What had come over him as he recognised her in the nave of the church was that holding off could be but a losing game from the instant she was worked for not only by her subtlety, but by the hand of fate itself. If all the accidents were to fight on her side—and by the actual showing they loomed large—he could only give himself up. This was what he had done in privately deciding then and there to propose she should breakfast with him. What did the success of his proposal in fact resemble but the smash in which a regular runaway properly ends? The smash was their walk, their dejeuner, their omelette, the Chablis, the place, the view, their present talk and his present pleasure in it—to say nothing, wonder of wonders, of her own. To this tune and nothing less, accordingly, was his surrender made good. It sufficiently lighted up at least the folly of holding off. Ancient proverbs sounded, for his memory, in the tone of their words and the clink of their glasses, in the hum of the town and the plash of the river. It WAS clearly better to suffer as a sheep than as a lamb. One might as well perish by the sword as by famine.

"Maria's still away?"—that was the first thing she had asked him; and when he had found the frankness to be cheerful about it in spite of the meaning he knew her to attach to Miss Gostrey's absence, she had gone on to enquire if he didn't tremendously miss her. There were reasons that made him by no means sure, yet he nevertheless answered "Tremendously"; which she took in as if it were all she had wished to prove. Then, "A man in trouble MUST be possessed somehow of a woman," she said; "if she doesn't come in one way she comes in another."

"Why do you call me a man