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By Root 4032 0

was the lady's name—looked at them with convex Parisian eyes and through a glass with a remarkably long tortoise-shell handle. Why Miss Barrace, mature meagre erect and eminently gay, highly adorned, perfectly familiar, freely contradictions and reminding him of some last-century portrait of a clever head without powder—why Miss Barrace should have been in particular the note of a "trap" Strether couldn't on the spot have explained; he blinked in the light of a conviction that he should know later on, and know well—as it came over him, for that matter, with force, that he should need to. He wondered what he was to think exactly of either of his new friends; since the young man, Chad's intimate and deputy, had, in thus constituting the scene, practised so much more subtly than he had been prepared for, and since in especial Miss Barrace, surrounded clearly by every consideration, hadn't scrupled to figure as a familiar object. It was interesting to him to feel that he was in the presence of new measures, other standards, a different scale of relations, and that evidently here were a happy pair who didn't think of things at all as he and Waymarsh thought. Nothing was less to have been calculated in the business than that it should now be for him as if he and Waymarsh were comparatively quite at one.

The latter was magnificent—this at least was an assurance privately given him by Miss Barrace. "Oh your friend's a type, the grand old American—what shall one call it? The Hebrew prophet, Ezekiel, Jeremiah, who used when I was a little girl in the Rue Montaigne to come to see my father and who was usually the American Minister to the Tuileries or some other court. I haven't seen one these ever so many years; the sight of it warms my poor old chilled heart; this specimen is wonderful; in the right quarter, you know, he'll have a succes fou." Strether hadn't failed to ask what the right quarter might be, much as he required his presence of mind to meet such a change in their scheme. "Oh the artist-quarter and that kind of thing; HERE already, for instance, as you see." He had been on the point of echoing "'Here'?—is THIS the artist-quarter?" but she had already disposed of the question with a wave of all her tortoise-shell and an easy "Bring him to ME!" He knew on the spot how little he should be able to bring him, for the very air was by this time, to his sense, thick and hot with poor Waymarsh's judgement of it. He was in the trap still more than his companion and, unlike his companion, not making the best of it; which was precisely what doubtless gave him his admirable sombre glow. Little did Miss Barrace know that what was behind it was his grave estimate of her own laxity. The general assumption with which our two friends had arrived had been that of finding Mr. Bilham ready to conduct them to one or other of those resorts of the earnest, the aesthetic fraternity which were shown among the sights of Paris. In this character it would have justified them in a proper insistence on discharging their score. Waymarsh's only proviso at the last had been that nobody should pay for him; but he found himself, as the occasion developed, paid for on a scale as to which Strether privately made out that he already nursed retribution. Strether was conscious across the table of what worked in him, conscious when they passed back to the small salon to which, the previous evening, he himself had made so rich a reference; conscious most of all as they stepped out to the balcony in which one would have had to be an ogre not to recognise the perfect place for easy aftertastes. These things were enhanced for Miss Barrace by a succession of excellent cigarettes—acknowledged, acclaimed, as a part of the wonderful supply left behind him by Chad—in an almost equal absorption of which Strether found himself blindly, almost wildly pushing forward. He might perish by the sword as well as by famine, and he knew that his having abetted the lady by an excess that was rare with him would count for little in the sum—as Waymarsh might so easily add it up—of