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By Root 4110 0
of designedly showing himself. It was as if at these instants he just presented himself, his identity so rounded off, his palpable presence and his massive young manhood, as such a link in the chain as might practically amount to a kind of demonstration. It was as if—and how but anomalously?—he couldn't after all help thinking sufficiently well of these things to let them go for what they were worth. What could there be in this for Strether but the hint of some self-respect, some sense of power, oddly perverted; something latent and beyond access, ominous and perhaps enviable? The intimation had the next thing, in a flash, taken on a name—a name on which our friend seized as he asked himself if he weren't perhaps really dealing with an irreducible young Pagan. This description—he quite jumped at it—had a sound that gratified his mental ear, so that of a sudden he had already adopted it. Pagan—yes, that was, wasn't it? what Chad WOULD logically be. It was what he must be. It was what he was. The idea was a clue and, instead of darkening the prospect, projected a certain clearness. Strether made out in this quick ray that a Pagan was perhaps, at the pass they had come to, the thing most wanted at Woollett. They'd be able to do with one—a good one; he'd find an opening—yes; and Strether's imagination even now prefigured and accompanied the first appearance there of the rousing personage. He had only the slight discomfort of feeling, as the young man turned away from the lamp, that his thought had in the momentary silence possibly been guessed. "Well, I've no doubt," said Chad, "you've come near enough. The details, as you say, don't matter. It HAS been generally the case that I've let myself go. But I'm coming round—I'm not so bad now." With which they walked on again to Strether's hotel.

"Do you mean," the latter asked as they approached the door, "that there isn't any woman with you now?"

"But pray what has that to do with it?"

"Why it's the whole question."

"Of my going home?" Chad was clearly surprised. "Oh not much! Do you think that when I want to go any one will have any power—"

"To keep you"—Strether took him straight up—"from carrying out your wish? Well, our idea has been that somebody has hitherto—or a good many persons perhaps—kept you pretty well from 'wanting.' That's what—if you're in anybody's hands—may again happen. You don't answer my question"—he kept it up; "but if you aren't in anybody's hands so much the better. There's nothing then but what makes for your going."

Chad turned this over. "I don't answer your question?" He spoke quite without resenting it. "Well, such questions have always a rather exaggerated side. One doesn't know quite what you mean by being in women's 'hands.' It's all so vague. One is when one isn't. One isn't when one is. And then one can't quite give people away." He seemed kindly to explain. "I've NEVER got stuck—so very hard; and, as against anything at any time really better, I don't think I've ever been afraid." There was something in it that held Strether to wonder, and this gave him time to go on. He broke out as with a more helpful thought. "Don't you know how I like Paris itself?"

The upshot was indeed to make our friend marvel. "Oh if THAT'S all that's the matter with you—!" It was HE who almost showed resentment.

Chad's smile of a truth more than met it. "But isn't that enough?"

Strether hesitated, but it came out. "Not enough for your mother!" Spoken, however, it sounded a trifle odd—the effect of which was that Chad broke into a laugh. Strether, at this, succumbed as well, though with extreme brevity. "Permit us to have still our theory. But if you ARE so free and so strong you're inexcusable. I'll write in the morning," he added with decision. "I'll say I've got you."

This appeared to open for Chad a new interest. "How often do you write?"

"Oh perpetually."

"And at great length?"

Strether had become a little impatient. "I hope it's not found too great."

"Oh I'm sure not. And you hear as often?"

Again Strether paused. "As often as I deserve."

"Mother writes,"

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