pg5247 [152]
Sophia had gone in trembling and ashamed, yet in her heart courageously determined to emerge uncompromisingly French. But the models frightened her. They surpassed even the most fantastic things that she had seen in the streets. She recoiled before them and seemed to hide for refuge in Gerald, as it were appealing to him for moral protection, and answering to him instead of to the saleswoman when the saleswoman offered remarks in stiff English. The prices also frightened her. The simplest trifle here cost sixteen pounds; and her mother's historic 'silk,' whose elaborateness had cost twelve pounds, was supposed to have approached the inexpressible! Gerald said that she was not to think about prices. She was, however, forced by some instinct to think about prices—she who at home had scorned the narrowness of life in the Square. In the Square she was understood to be quite without commonsense, hopelessly imprudent; yet here, a spring of sagacity seemed to be welling up in her all the time, a continual antidote against the general madness in which she found herself. With extraordinary rapidity she had formed a habit of preaching moderation to Gerald. She hated to 'see money thrown away,' and her notion of the boundary line between throwing money away and judiciously spending it was still the notion of the Square.
Gerald would laugh. But she would say, piqued and blushing, but self-sure: "You can laugh!" It was all deliciously agreeable.
On this evening she wore the first of the new costumes. She had worn it all day. Characteristically she had chosen something which was not too special for either afternoon or evening, for either warm or cold weather. It was of pale blue taffetas striped in a darker blue, with the corsage cut in basques, and the underskirt of a similar taffetas, but unstriped. The effect of the ornate overskirt falling on the plain underskirt with its small double volant was, she thought, and Gerald too, adorable. The waist was higher than any she had had before, and the crinoline expansive. Tied round her head with a large bow and flying blue ribbons under the chin, was a fragile flat capote like a baby's bonnet, which allowed her hair to escape in front and her great chignon behind. A large spotted veil flew out from the capote over the chignon. Her double skirts waved amply over Gerald's knees in the carriage, and she leaned back against the hard cushions and put an arrogant look into her face, and thought of nothing but the intense throbbing joy of life, longing with painful ardour for more and more pleasure, then and for ever.
As the carriage slipped downwards through the wide, empty gloom of the Champs Elysees into the brilliant Paris that was waiting for them, another carriage drawn by two white horses flashed upwards and was gone in dust. Its only occupant, except the coachman and footman, was a woman. Gerald stared after it.
"By Jove!" he exclaimed. "That's Hortense!"
It might have been Hortense, or it might not. But he instantly convinced himself that it was. Not every evening did one meet Hortense driving alone in the Champs Elysees, and in August too!
"Hortense?" Sophia asked simply.
"Yes. Hortense Schneider."
"Who is she?"
"You've never heard of Hortense Schneider?"
"No!"
"Well! Have you ever heard of Offenbach?"
"I—I don't know. I don't think so."
He had the mien of utter incredulity. "You don't mean to say you've never heard of Bluebeard?"
"I've heard of Bluebeard, of course," said she. "Who hasn't?"
"I mean the opera—Offenbach's."
She shook her head, scarce knowing even what an opera was.
"Well, well! What next?"
He implied that such ignorance stood alone in his experience. Really he was delighted at the cleanness of the slate on which he had to write. And Sophia was not a bit alarmed. She relished instruction from his lips. It was a pleasure to her to learn from that exhaustless store of worldly