pg8867 [126]
One of his Sunday walks, that spring, he made into a sour pilgrimage. It was a misty morning of belated snow slush, and suited him to a perfection of miserableness, as he stood before the great dripping department store which now occupied the big plot of ground where once had stood both the Amberson Hotel and the Amberson Opera House. From there he drifted to the old "Amberson Block," but this was fallen into a back-water; business had stagnated here. The old structure had not been replaced, but a cavernous entryway for trucks had been torn in its front, and upon the cornice, where the old separate metal letters had spelt "Amberson Block," there was a long billboard sign: "Doogan Storage."
To spare himself nothing, he went out National Avenue and saw the piles of slush-covered wreckage where the Mansion and his mother's house had been, and where the Major's ill-fated five "new" houses had stood; for these were down, too, to make room for the great tenement already shaped in unending lines of foundation. But the Fountain of Neptune was gone at last—and George was glad that it was!
He turned away from the devastated site, thinking bitterly that the only Amberson mark still left upon the town was the name of the boulevard—Amberson Boulevard. But he had reckoned without the city council of the new order, and by an unpleasant coincidence, while the thought was still in his mind, his eye fell upon a metal oblong sign upon the lamppost at the corner. There were two of these little signs upon the lamp-post, at an obtuse angle to each other, one to give passers-by the name of National Avenue, the other to acquaint them with Amberson Boulevard. But the one upon which should have been stenciled "Amberson Boulevard" exhibited the words "Tenth Street."
George stared at it hard. Then he walked quickly along the boulevard to the next corner and looked at the little sign there. "Tenth Street."
It had begun to rain, but George stood unheeding, staring at the little sign. "Damn them!" he said finally, and, turning up his coat-collar, plodded back through the soggy streets toward "home."
The utilitarian impudence of the city authorities put a thought into his mind. A week earlier he had happened to stroll into the large parlour of the apartment house, finding it empty, and on the center table he noticed a large, red-bound, gilt-edged book, newly printed, bearing the title: "A Civic History," and beneath the title, the rubric, "Biographies of the 500 Most Prominent Citizens and Families in the History of the City." He had glanced at it absently, merely noticing the title and sub-title, and wandered out of the room, thinking of other things and feeling no curiosity about the book. But he had thought of it several times since with a faint, vague uneasiness; and now when he entered the lobby he walked directly into the parlour where he had seen the book. The room was empty, as it always was on Sunday mornings, and the flamboyant volume was still upon the table—evidently a fixture as a sort of local Almanach de Gotha, or Burke, for the enlightenment of tenants and boarders.
He opened it, finding a few painful steel engravings of placid, chin-bearded faces, some of which he remembered dimly; but much more numerous, and also more unfamiliar to him, were the pictures of neat, aggressive men, with clipped short hair