pg8867 [97]
Then, after a preliminary gesture of despair, as though he meant harm to the ceiling, he flung himself heavily, face downward, upon the bed. His anguish was none the less real for its vehemence; and the stricken lady came to him instantly and bent over him, once more enfolding him in her arms. She said nothing, but suddenly her tears fell upon his head; she saw them, and seemed to be startled.
"Oh, this won't do!" she said. "I've never let you see me cry before, except when your father died. I mustn't!"
And she ran from the room.
...A little while after she had gone, George rose and began solemnly to dress for dinner. At one stage of these conscientious proceedings he put on, temporarily, his long black velvet dressing-gown, and, happening to catch sight in his pier glass of the picturesque and medieval figure thus presented, he paused to regard it; and something profoundly theatrical in his nature came to the surface.
His lips moved; he whispered, half-aloud, some famous fragments:
"Tis not alone my inky cloak, good mother, Nor customary suits of solemn black..."
For, in truth, the mirrored princely image, with hair dishevelled on the white brow, and the long tragic fall of black velvet from the shoulders, had brought about (in his thought at least) some comparisons of his own times, so out of joint, with those of that other gentle prince and heir whose widowed mother was minded to marry again.
"But I have that within which passeth show; These but the trappings and the suits of Woe."
Not less like Hamlet did he feel and look as he sat gauntly at the dinner table with Fanny to partake of a meal throughout which neither spoke. Isabel had sent word "not to wait" for her, an injunction it was as well they obeyed, for she did not come at all. But with the renewal of sustenance furnished to his system, some relaxation must have occurred within the high-strung George. Dinner was not quite finished when, without warning, sleep hit him hard. His burning eyes could no longer restrain the lids above them; his head sagged beyond control; and he got to his feet, and went lurching upstairs, yawning with exhaustion. From the door of his room, which he closed mechanically, with his eyes shut, he went blindly to his bed, fell upon it soddenly, and slept—with his face full upturned to the light.
It was after midnight when he woke, and the room was dark. He had not dreamed, but he woke with the sense that somebody or something had been with him while he slept—somebody or something infinitely compassionate; somebody or something infinitely protective, that would let him come to no harm and to no grief.
He got up, and pressed the light on. Pinned to the cover of his dressing-table was a square envelope, with the words, "For you, dear," written in pencil upon it. But the message inside was in ink, a little smudged here and there.
I have been out to the mail-box, darling, with a letter I've written to Eugene, and he'll have it in the morning. It would be unfair not to let him know at once, and my decision could not change if I waited. It would always be the same. I think it, is a little better for me to write to you, like this, instead of waiting till you wake up and then telling you, because I'm foolish and might cry again, and I took a vow once, long ago, that you should never see me cry. Not that I'll feel like crying when we talk things over tomorrow. I'll be "all right and fine" (as you say so often) by that time—don't fear. I think what makes me most ready to cry now is the thought of the terrible suffering in your poor face, and the unhappy knowledge that it is I, your mother who put it there. It shall never come again! I love you better than anything and everything else on earth. God gave you to me—and oh! how thankful I have been every day of my life for that sacred gift—and nothing can ever come between