pg974 [47]
The Assistant Commissioner of Police had really some qualifications for his post. Suddenly his suspicion was awakened. It is but fair to say that his suspicions of the police methods (unless the police happened to be a semi-military body organised by himself) was not difficult to arouse. If it ever slumbered from sheer weariness, it was but lightly; and his appreciation of Chief Inspector Heat’s zeal and ability, moderate in itself, excluded all notion of moral confidence. “He’s up to something,” he exclaimed mentally, and at once became angry. Crossing over to his desk with headlong strides, he sat down violently. “Here I am stuck in a litter of paper,” he reflected, with unreasonable resentment, “supposed to hold all the threads in my hands, and yet I can but hold what is put in my hand, and nothing else. And they can fasten the other ends of the threads where they please.”
He raised his head, and turned towards his subordinate a long, meagre face with the accentuated features of an energetic Don Quixote.
“Now what is it you’ve got up your sleeve?”
The other stared. He stared without winking in a perfect immobility of his round eyes, as he was used to stare at the various members of the criminal class when, after being duly cautioned, they made their statements in the tones of injured innocence, or false simplicity, or sullen resignation. But behind that professional and stony fixity there was some surprise too, for in such a tone, combining nicely the note of contempt and impatience, Chief Inspector Heat, the right-hand man of the department, was not used to be addressed. He began in a procrastinating manner, like a man taken unawares by a new and unexpected experience.
“What I’ve got against that man Michaelis you mean, sir?”
The Assistant Commissioner watched the bullet head; the points of that Norse rover’s moustache, falling below the line of the heavy jaw; the whole full and pale physiognomy, whose determined character was marred by too much flesh; at the cunning wrinkles radiating from the outer corners of the eyes—and in that purposeful contemplation of the valuable and trusted officer he drew a conviction so sudden that it moved him like an inspiration.
“I have reason to think that when you came into this room,” he said in measured tones, “it was not Michaelis who was in your mind; not principally—perhaps not at all.”
“You have reason to think, sir?” muttered Chief Inspector Heat, with every appearance of astonishment, which up to a certain point was genuine enough. He had discovered in this affair a delicate and perplexing side, forcing upon the discoverer a certain amount of insincerity—that sort of insincerity which, under the names of skill, prudence, discretion, turns up at one point or another in most human affairs. He felt at the moment like a tight-rope artist might feel if suddenly, in the middle of the performance, the manager of the Music Hall were to rush out of the proper managerial seclusion and begin to shake the rope. Indignation, the sense of moral insecurity engendered by such a treacherous proceeding joined to the immediate apprehension of a broken neck, would, in the colloquial phrase, put him in a state. And there would be also some scandalised concern for his art too, since a man must identify himself with something more tangible than his own personality, and establish his pride somewhere, either in his social position, or in the quality of the work he is obliged to do, or simply in the superiority of the idleness he may be fortunate enough to enjoy.
“Yes,” said the Assistant