Philadelphia Noir - Carlin Romano [8]
Hey, I’m not a murderer, just an opportunist.
The Virgin Mary statue lies on her back on the pink shag carpet, staring up at the ceiling, still looking as if she’s just an innocent bystander. Except she’s not. In fact, she may have just changed my life. Now, I’m not going to start genuflecting and hanging out at the doors of St. John’s. I don’t believe much in that Catholic shit, but you never know. Maybe I’ll even buy a Virgin Mary night light from the Italian Market after I get the money and move out of my shitty apartment on Morris and into a slightly less shitty one further west.
I take hold of Princess’s collar—rabies vaccine, heart-shaped name tag, and a key. I remove it and slip it in my pocket.
I consider leaving the animal. It’s not like she’d be much of a watch dog for me. She doesn’t seem at all concerned that I cracked Tony in the head and he’s now bleeding on the carpet.
I look at the dog and she looks back at me with her poppedout googly eyes. She wags her stubby tail half-heartedly as though unsure about the deal too. “You’re not much of an accomplice,” I tell her. I could dump her on the streets. Some sappy grandma would take her in. Or she’d get hit by a bus just like Johnny. “All right, Princess, let’s go.” I pick her up. “You can stay with me,” I say. “For now.”
SCARRED
BY SOLOMON JONES
Strawberry Mansion
Thunder clapped, and the street went black as if God had blown out the candles. A single flash of lighting streaked across the sky. After that, the only sound was the rain.
That kind of quiet was rare at 33rd and Cecil B. Moore, the North Philly corner where a hodgepodge of crumbling housing and new development met the orchestrated greenery of Fairmount Park.
Most autumn evenings, the corner rumbled with the sounds of the 3 and 32 buses, danced with the laughter of children at the water ice stand, and banged with the clatter of tools at the used tire shop. There was music to this corner, and the tunes went far beyond the rhymes of Li’l Wayne or the gospel of Kirk Franklin. The music had a distinctive rhythm, like the jazz of John Coltrane, who’d once lived a block away.
But just like Coltrane’s house, the streets were empty and the rhythm was off, because the storm and the blackout had snatched the life from the streets, forcing everyone and everything indoors.
The occupants of the new lofts who’d arrived with the long-gone real-estate boom were huddled in darkness, just like their impoverished neighbors. As rain poured down and lightning flashed, their differences no longer mattered. They all waited nervously for the lights to come on, because somewhere deep down, they understood the power of the heavens.
But Richard and Corrine weren’t afraid. In their rehabbed three-story home at the end of a ramshackle block, the only power that mattered was love. And heaven? Heaven was between them, in every whisper, every kiss, and every touch.
As the storm raged outside their window, the newlyweds welcomed darkness into a bedroom that overlooked the water ice stand. While neighbors shut their eyes against the blackout, the husband and wife christened their new home, joining themselves like instruments in a symphony of passion.
The driving rain struck the windows as they poured themselves into one another, and as their bodies gave in to the moment, their whispers of love became shouts of joy. The harmony reached perfection. The symphony climaxed and ceased. Then their voices faded into the blackness of the night, with gasps and shudders and moans.
Afterward, they lay in each other’s arms, listening to the rain fall. Corrine reached up and twisted Richard’s blond hair around her fingers. Even without light, she knew every part of his face. His pink lips were thin and sculpted. His jaw was square and strong. His blue eyes were set wide on either side of his sharply pointed