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Please Look After Mom - Kyung-Sook Shin [11]

By Root 392 0
about your book, and you went to the front to receive the Braille version. Your one book became four volumes in Braille. The books given to you by the director were twice as big as yours, but they were light. You heard applause as you returned to your seat with the books in your hands. The ceremony continued. As plaques were given to congratulate readers, you opened one of the volumes. At once you felt faint. An infinite number of dots on white paper. It was as if you had fallen into a black hole—as if you were walking on stairs you knew so well that climbing them didn’t even register in your mind and, while thinking about something else, you missed a step and tumbled down. Braille proliferated the white paper, each letter a hole made by a needle, words you couldn’t decipher at all. You told Mom that you’d flipped past the first page and the second page and the third page, and then closed the book. Because your mom was listening intently to your story, you continued.

At the end of the ceremony, you stood in front of everyone and talked about your work. When you laid the books on the dais and looked out at the audience, your back stiffened. You had no idea what to focus on, standing in front of four hundred people who couldn’t see.

“So what did you do?” your mom asked.

You told her that the fifty minutes given to you seemed never-ending. You were the type of person who looked into someone’s eyes when you talked. When you talked you sometimes told the entire story, or maybe only half, depending on the feeling you got from the person’s eyes. Some eyes coaxed out stories you’d never told anyone. You wondered, Does Mom know that I’m like that? In front of four hundred blind people, you didn’t know whom to look at or how to start talking. Some eyes were closed, some half open, and some hidden behind dark glasses; some eyes seemed to stare straight through you and your nervousness. Even though all eyes were aimed at you, you became silent in front of eyes that couldn’t see you. You wondered what would be the point of talking about your book in front of these unseeing eyes. But it wasn’t appropriate to talk about something else, such as anecdotes from your life. If anything, they should be telling you their life stories. Because you felt stuck, the first thing you said into the mike was “What should I talk about?” They all burst out laughing. Did they laugh because they thought you meant you could tell any story? Or to make you feel more comfortable? A man in his mid-forties replied, “Didn’t you come to talk about your work?” The man’s eyes were pointed at you but were closed. Focusing on them, you started to talk about the inspiration behind the book, the things you experienced emotionally during its writing, and the hopes you had for the book after you were done. You were surprised. Of all the people you’d met, they listened to your words the most intently. They demonstrated with their bodies that they were listening carefully. One person was nodding, and another pushed one foot forward, and someone else was leaning into the person in front of him. Even though you couldn’t understand a word of their writing system, they had read your book and asked questions and shared their thoughts. You told Mom that they revealed such positive feelings about that book, more than anyone else you had encountered. Mom, who was listening quietly, said, “Still, even they’ve read your book.” A short silence flowed between you and Mom. Mom asked you to go on. You continued.

When you stopped talking, one person raised his hand and asked if he could ask a question. You told him to go ahead. “Even though he’s blind, he said traveling was his hobby, Mom.” You were stunned. Where would a blind person travel? He said he’d read something you had written a long time ago that was based in Peru. The character in the novel went to Machu Picchu, and there was a scene where a train went backward. He said after he read that he wanted to ride that train in Peru. He asked if you had personally ridden the train. It was a work you had written over ten years ago.

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