Poems [10]
and the 'Western Refrain' thrill one gloriously. 'The Cottager's Welcome' would of itself carry the poet's name to the next age, and the 'Croton Ode' keep his bays green with a perpetual baptism. The last-mentioned is fresh and sparkling as its subject, and displays much of the imaginative faculty.
"'Oh, a merry life does the hunter lead,' rolled up the tenth wave of Morris-ian popularity at the West. It stirs the hunter's heart like a bugle blast--it rings out clear as a rifle-crack on a hunting morning.
"General Morris has recently published some songs, which have all the grace, melody, and touching sweetness of his earlier lays. But as these have been artistically set to music, and are yet in the first season of popularity--are lying on the pianos and 'rolling over the bright lip' of all song-dom, they call for no further mention here.
"I think I cannot better close this somewhat broken and imperfect notice, than by referring to one of the earlier songs of Morris, which, more than all others, perhaps, has endeared him to his native land. 'Home from travel' is a simple, hearty, manly embodiment of the true spirit of patriotism, a sentiment which throbs like a strong pulse beneath our poet's light and graceful verse, and needs but the inspiration of 'stirring times' to prompt to deeds of heroic valor, like the lays of the ancient bards, or the 'Chansons' of Beranger."
The biography of Morris would not be complete without a word from Willis. We have a dash of his pencil in the following letter to the editor of "Graham's Magazine":--
"My Dear Sir: To ask me for my idea of General Morris, is like asking the left hand's opinion of the dexterity of the right. I have lived so long with the 'Brigadier'--know him so intimately--worked so constantly at the same rope, and thought so little of ever separating from him (except by precedence of ferriage over the Styx), that it is hard to shove him from me to the perspective distance--hard to shut my own partial eyes, and look at him through other people's. I will try, however; and, as it is done with but one foot off from the treadmill of my ceaseless vocation, you will excuse both abruptness and brevity.
"Morris is the best-known poet of the country, by acclamation, not by criticism. He is just what poets would be if they sang, like birds, without criticism; and it is a peculiarity of his fame, that it seems as regardless of criticism, as a bird in the air. Nothing can stop a song of his. It is very easy to say that they are easy to do. They have a momentum, somehow, that it is difficult for others to give, and that speeds them to the far goal of popularity--the best proof consisting in the fact that he can, at any moment, get fifty dollars for a song unread, when the whole remainder of the American Parnassus could not sell one to the same buyer for a shilling.
"It may, or may not, be one secret of his popularity, but it is the truth--that Morris's heart is at the level of most other people's, and his poetry flows out by that door. He stands breast-high in the common stream of sympathy, and the fine oil of his poetic feeling goes from him upon an element it is its nature to float upon, and which carries it safe to other bosoms, with little need of deep diving or high flying. His sentiments are simple, honest, truthful, and familiar; his language is pure and eminently musical, and he is prodigally full of the poetry of every-day feeling. These are days when poets try experiments; and while others succeed by taking the world's breath away with flights and plunges, Morris uses his feet to walk quietly with nature. Ninety-nine people in a hundred, taken as they come in the census, would find more to admire in Morris's songs, than in the writings of any other American poet; and that is a parish in the poetical episcopate, well worthy a wise man's nurture and prizing.
"As for the man--Morris, my friend--I can hardly venture to 'burn incense on his moustache,' as the French say--write his praises under his very nose--but as far off as Philadelphia,
"'Oh, a merry life does the hunter lead,' rolled up the tenth wave of Morris-ian popularity at the West. It stirs the hunter's heart like a bugle blast--it rings out clear as a rifle-crack on a hunting morning.
"General Morris has recently published some songs, which have all the grace, melody, and touching sweetness of his earlier lays. But as these have been artistically set to music, and are yet in the first season of popularity--are lying on the pianos and 'rolling over the bright lip' of all song-dom, they call for no further mention here.
"I think I cannot better close this somewhat broken and imperfect notice, than by referring to one of the earlier songs of Morris, which, more than all others, perhaps, has endeared him to his native land. 'Home from travel' is a simple, hearty, manly embodiment of the true spirit of patriotism, a sentiment which throbs like a strong pulse beneath our poet's light and graceful verse, and needs but the inspiration of 'stirring times' to prompt to deeds of heroic valor, like the lays of the ancient bards, or the 'Chansons' of Beranger."
The biography of Morris would not be complete without a word from Willis. We have a dash of his pencil in the following letter to the editor of "Graham's Magazine":--
"My Dear Sir: To ask me for my idea of General Morris, is like asking the left hand's opinion of the dexterity of the right. I have lived so long with the 'Brigadier'--know him so intimately--worked so constantly at the same rope, and thought so little of ever separating from him (except by precedence of ferriage over the Styx), that it is hard to shove him from me to the perspective distance--hard to shut my own partial eyes, and look at him through other people's. I will try, however; and, as it is done with but one foot off from the treadmill of my ceaseless vocation, you will excuse both abruptness and brevity.
"Morris is the best-known poet of the country, by acclamation, not by criticism. He is just what poets would be if they sang, like birds, without criticism; and it is a peculiarity of his fame, that it seems as regardless of criticism, as a bird in the air. Nothing can stop a song of his. It is very easy to say that they are easy to do. They have a momentum, somehow, that it is difficult for others to give, and that speeds them to the far goal of popularity--the best proof consisting in the fact that he can, at any moment, get fifty dollars for a song unread, when the whole remainder of the American Parnassus could not sell one to the same buyer for a shilling.
"It may, or may not, be one secret of his popularity, but it is the truth--that Morris's heart is at the level of most other people's, and his poetry flows out by that door. He stands breast-high in the common stream of sympathy, and the fine oil of his poetic feeling goes from him upon an element it is its nature to float upon, and which carries it safe to other bosoms, with little need of deep diving or high flying. His sentiments are simple, honest, truthful, and familiar; his language is pure and eminently musical, and he is prodigally full of the poetry of every-day feeling. These are days when poets try experiments; and while others succeed by taking the world's breath away with flights and plunges, Morris uses his feet to walk quietly with nature. Ninety-nine people in a hundred, taken as they come in the census, would find more to admire in Morris's songs, than in the writings of any other American poet; and that is a parish in the poetical episcopate, well worthy a wise man's nurture and prizing.
"As for the man--Morris, my friend--I can hardly venture to 'burn incense on his moustache,' as the French say--write his praises under his very nose--but as far off as Philadelphia,