Poems [52]
that?
FREDERICA. He wanders about in secrecy and disguise--enters all kinds of mansions--and often over-hears conversations that were never intended for the court. By this means, it is said, he gathers information from every nook and corner of his kingdom.
WEDGEWOOD. Strange kind of hocus-pocus work for a monarch!--Peripatetically odd!
ALBERT. I have been told that he knows more of the character and condition of his subjects and soldiers than they do themselves.
COUNTESS. And he never knows of a wrong done among his people that he does not instantly redress--though it often puzzles them to learn how he arrives at his knowledge of the facts. Many think him a wizard.
WEDGEWOOD. And not without reason, madam. Never before have I heard of such a compound of sagacity, courage, and eccentricity. Oh, I am all in a glow to see and converse with the jolly old boy!
(Enter Count LANISKA.)
COUNTESS (introducing him.) My son, the Count Laniska, will present you to his majesty.
WEDGEWOOD (bowing to COUNT.) If it is convenient. (Aside.) Most martially and uniformly odd! (To LANISKA.) But, first, I should like to have a glimpse at the factory.
COUNT. I shall be happy to show it to you. There is one extraordinary subject connected with it, that will surprise you both--a young girl of singular talent and beauty--
FREDERICA. Ah, brother! upon your favorite theme again. That young girl occupies more of your thoughts than all he porcelain in these dominions.
ALBERT (aside.) Poor Sophia!
FREDERICA (observing the COUNT looks thoughtful.) Why, what's the matter with you, brother?
WEDGEWOOD. He is no doubt studying the mixture of different kinds of clay, and contriving a furnace that will not destroy it by too much heat. Ingeniously odd!
COUNT. You are mistaken, sir. I was thinking at what time I should have the pleasure of waiting upon you.
WEDGEWOOD. I will be at your service as soon as I have had time to adjust my outward and refresh my inward man.--Necessarily odd! (Seeing the COUNTESS about to retire.) Madam, allow me (takes her hand)--If it is convenient.
[Exit WEDGEWOOD and COUNTESS.
FREDERICA (to COUNT.) Now, brother, that the countess has retired, pray favor us with your confidence. You need not mind Mr. Worrendorf--I have told him all about Sophia Mansfield--I love that poor girl myself, not less for her misfortunes than her genius.
ALBERT. I love her too--
FREDERICA (aside.) Oh, dear! what's the matter with me? My head turns round--I am ready to drop!
COUNT (with emotion.) You love her! Wherefore?
ALBERT. She is my countrywoman, and for that I love her.
FREDERICA (recovering.) Well, gentlemen, I must say this is very gallant of you both, to be praising one lady so highly when there is another in the room. (Aside.) Oh, dear me, how near I came to betraying myself!
ALBERT. Your pardon, my dear madam. When I look at you, I almost forget there is another woman in the world. (Kisses FREDERICA's hand, who turns away with evident confusion.)--But for the present I must leave you, to join Mr. Wedgewood. [Exit.
COUNT (noticing them.) (Aside.) So, so, Frederica--fairly caught, I perceive! (To Frederica.) Ah, sister, sister! as in all things else, there is a destiny in love.
DUET--LANSIKA and FREDERICA. From my fate there's no retreating-- Love commands, and I obey; How with joy my heart is beating At the fortunes of to-day! Life is filled with strange romances-- Love is blind, the poets say; When he comes unsought, the chance is Of his own accord he'll stay.
Love can ne'er be forced to tarry; Chain him--he'll the bonds remove: Paired, not matched, too many marry-- All should wed alone for love. Let him on the bridal-even Trim his lamp with constant ray; And the flame will light to heaven, When the world shall fade away!
[Exeunt
Scene IV.
The whole depth of the stage is made use of in this scene, which represents an open country. A Camp and Soldiers at a distance. Music. Enter HANS, GERTRUDE, and Peasantry:
FREDERICA. He wanders about in secrecy and disguise--enters all kinds of mansions--and often over-hears conversations that were never intended for the court. By this means, it is said, he gathers information from every nook and corner of his kingdom.
WEDGEWOOD. Strange kind of hocus-pocus work for a monarch!--Peripatetically odd!
ALBERT. I have been told that he knows more of the character and condition of his subjects and soldiers than they do themselves.
COUNTESS. And he never knows of a wrong done among his people that he does not instantly redress--though it often puzzles them to learn how he arrives at his knowledge of the facts. Many think him a wizard.
WEDGEWOOD. And not without reason, madam. Never before have I heard of such a compound of sagacity, courage, and eccentricity. Oh, I am all in a glow to see and converse with the jolly old boy!
(Enter Count LANISKA.)
COUNTESS (introducing him.) My son, the Count Laniska, will present you to his majesty.
WEDGEWOOD (bowing to COUNT.) If it is convenient. (Aside.) Most martially and uniformly odd! (To LANISKA.) But, first, I should like to have a glimpse at the factory.
COUNT. I shall be happy to show it to you. There is one extraordinary subject connected with it, that will surprise you both--a young girl of singular talent and beauty--
FREDERICA. Ah, brother! upon your favorite theme again. That young girl occupies more of your thoughts than all he porcelain in these dominions.
ALBERT (aside.) Poor Sophia!
FREDERICA (observing the COUNT looks thoughtful.) Why, what's the matter with you, brother?
WEDGEWOOD. He is no doubt studying the mixture of different kinds of clay, and contriving a furnace that will not destroy it by too much heat. Ingeniously odd!
COUNT. You are mistaken, sir. I was thinking at what time I should have the pleasure of waiting upon you.
WEDGEWOOD. I will be at your service as soon as I have had time to adjust my outward and refresh my inward man.--Necessarily odd! (Seeing the COUNTESS about to retire.) Madam, allow me (takes her hand)--If it is convenient.
[Exit WEDGEWOOD and COUNTESS.
FREDERICA (to COUNT.) Now, brother, that the countess has retired, pray favor us with your confidence. You need not mind Mr. Worrendorf--I have told him all about Sophia Mansfield--I love that poor girl myself, not less for her misfortunes than her genius.
ALBERT. I love her too--
FREDERICA (aside.) Oh, dear! what's the matter with me? My head turns round--I am ready to drop!
COUNT (with emotion.) You love her! Wherefore?
ALBERT. She is my countrywoman, and for that I love her.
FREDERICA (recovering.) Well, gentlemen, I must say this is very gallant of you both, to be praising one lady so highly when there is another in the room. (Aside.) Oh, dear me, how near I came to betraying myself!
ALBERT. Your pardon, my dear madam. When I look at you, I almost forget there is another woman in the world. (Kisses FREDERICA's hand, who turns away with evident confusion.)--But for the present I must leave you, to join Mr. Wedgewood. [Exit.
COUNT (noticing them.) (Aside.) So, so, Frederica--fairly caught, I perceive! (To Frederica.) Ah, sister, sister! as in all things else, there is a destiny in love.
DUET--LANSIKA and FREDERICA. From my fate there's no retreating-- Love commands, and I obey; How with joy my heart is beating At the fortunes of to-day! Life is filled with strange romances-- Love is blind, the poets say; When he comes unsought, the chance is Of his own accord he'll stay.
Love can ne'er be forced to tarry; Chain him--he'll the bonds remove: Paired, not matched, too many marry-- All should wed alone for love. Let him on the bridal-even Trim his lamp with constant ray; And the flame will light to heaven, When the world shall fade away!
[Exeunt
Scene IV.
The whole depth of the stage is made use of in this scene, which represents an open country. A Camp and Soldiers at a distance. Music. Enter HANS, GERTRUDE, and Peasantry: