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Point Counter Point - Aldous Huxley [133]

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of roughness against her fingers as they touched the hairs along the breastbone, and the little paps were firm and elastic. She shuddered again, but there was something agreeable in the feeling of horror and the overcoming of it; there was a strange pleasure in the creeping of alarm and repulsion that travelled through her body. She went on rubbing, a steam engine only in the vigour and regularity of her movements, but, within, how quiveringly and self-dividedly alive!

Burlap lay with his eyes shut, faintly smiling with the pleasure of abandonment and self-surrender. He was feeling, luxuriously, like a child, helpless; he was in her hands, like a child who is its mother’s property and plaything, no longer his own master. Her hands were cold on his chest; his flesh was passive and abandoned, like so much clay, under those strong cold hands.

‘Tired?’ he asked, when she paused to change hands for the third time. He opened his eyes to look at her.

She shook her head. ‘I’m as much bother as a sick child.’

‘No bother at all.’

But Burlap insisted on being sorry for her and apologetic for himself. ‘Poor Beatrice!’ he said. ‘All you have to do for me! I’m quite ashamed.’

Beatrice only smiled. Her first shudderings of unreasonable repulsion had passed off. She felt extraordinarily happy.

‘There!’ she said at last. ‘Now for the Thermogene.’ She opened the cardboard box and unfolded the orange wool. ‘The problem is how to stick it on to your chest. I’d thought of keeping it in place with a bandage. Two or three turns right round the body. What do you think?’

‘I don’t think anything,’ said Burlap who was still enjoying the luxury of infantility. ‘I’m utterly in your hands.’

‘Well, then, sit up,’ she commanded. He sat up. ‘Hold the wool on to your chest while I pass the bandage round.’ To bring the bandage round his body she had to lean very close to him, almost embracing him; her hands met for a moment behind his back, as she unwound the bandage. Burlap dropped his head forward and his forehead rested against her breast. The forehead of a tired child on the soft breast of its mother.

‘Hold the end a moment while I get a safety-pin.’

Burlap lifted his forehead and drew back. Rather flushed, but still very business-like and efficient, Beatrice was detaching one from a little card of assorted safety pins.

‘Now comes the really difficult moment,’ she said, laughing. ‘You won’t mind if I run the pin into your flesh.’

‘No, I won’t mind,’ said Burlap and it was true; he wouldn’t have minded. He’d have been rather pleased, if she had hurt him. But she didn’t. The bandage was pinned into position with quite professional neatness.

‘There!’

‘What do you want me to do now?’ asked Burlap, greedy to obey.

‘Lie down.’

He lay down. She did up the buttons of his pyjama jacket. ‘Now you must go to sleep as quickly as you can.’ She pulled the bedclothes up to his chin and tucked them in. Then she laughed. ‘You look like a little boy.’

‘Aren’t you going to kiss me goodnight?’

The colour came into Beatrice’s cheeks. She bent down and kissed him on the forehead. ‘Goodnight,’ she said. And suddenly she wanted to take him in her arms, to press his head against her breast and stroke his hair. But she only laid her hand for a moment against his cheek, then hurried out of the room.

CHAPTER XIX


Little Phil was lying on his bed. The room was in an orange twilight. A thin needle of sunshine came probing in between the drawn curtains. Phil was more than usually restless.

‘What’s the time?’ he shouted at last, though he had shouted before and been told to keep quiet.

‘Not time for you to get up,’ Miss Fulkes called back from across the passage. Her voice came muffled, for she was half-way into her blue frock, her head involved in silken darkness, her arms struggling blindly to find the entrance to their respective sleeves. Phil’s parents were arriving to-day; they would be at Gattenden for lunch. Miss Fulkes’s blue best was imperatively called for.

‘But what’s the time?’ the child shouted back angrily. ‘On your watch, I mean.’

Miss Fulkes

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