• Choose a category
• All
• Classic-Fiction

By Root 5744 0

ass only walked, very slowly. Before the two brothers and behind stretched Gattenden Broad Walk. A mile in front of them at the end of the straight vista stood a model of Trajan’s column in Portland stone with a bronze statue of the first Marquess, on the top and an inscription in large letters round the pedestal setting forth his claims to fame. He had been, among other things, Viceroy of Ireland and the Father of Scientific Agriculture. At the other end of the Broad Walk, a mile behind the brothers, rose the fantastic towers and pinnacles of Gattenden Castle, built for the second Marquess by James Wyatt in the most extravagant style of Strawberry Hill Gothic, and looking more mediaeval than anything that the real chronological Middle Ages had ever dreamt of. The Marquess lived permanently at Gattenden. Not that he particularly liked the house or the surrounding scenery. He was hardly aware of them. When he wasn’t reading, he was thinking about what he had read; the world of appearances, as he liked, platonically, to call visible and tangible reality, did not interest him. This lack of interest was his revenge on the universe for having made him a cripple. He inhabited Gattenden, because it was only at Gattenden that he could safely go for drives in his bath chair. Pall Mall is no place for grey donkeys and paralytic old gentlemen who read and meditate as they drive. He had made over Tantamount House to his brother and continued to drive his ass through the beechwoods of Gattenden Park.

The ass had halted to browse at the wayside. The fifth Marquess and his brother were having an argument about God. Time passed. They were still talking about God when, half an hour later, Philip and Elinor, who had been taking their afternoon walk in the Park, emerged from the beechwood and unexpectedly came upon the Marquess’s bath chair.

‘Poor old creatures!’ was Philip’s comment when they were once more out of earshot. ‘What else have they got to talk about? Too old to want to talk about love—too old and much too good. Too rich to talk about money. Too highbrow to talk about people and too hermit-like to know any people to talk about. Too shy to talk about themselves, too blankly inexperienced to talk about life or even literature. What is there left for the poor old wretches to talk about? Nothing—only God.’

‘And at the present rate of progress,’ said Elinor, ‘you’ll be exactly like them ten years from now.’

CHAPTER XX

Of Philip Quarles’s father old John Bidlake used to say that he was like one of those baroque Italian churches with sham facades. High, impressive, bristling with classical orders, broken pedimenta and statuary, the faCade seems to belong to a great cathedral. But look more closely and you discover that it is only a screen. Behind the enormous and elaborate front there crouches a wretched little temple of brick and rubble and scabby plaster. And warming to his simile, John Bidlake would describe the unshaven priest gabbling the office, the snotty little acolyte in his unwashed surplice, the congregation of goitrous peasant women and their brats, the cretin begging at the door, the tin crowns on the images, the dirt on the floor, the stale smell of generations of pious humanity.

‘Why is it,’ he concluded, forgetting that he was making an uncomplimentary comment on his own successes, ‘that women always needs must love the lowest when they see it—or rather him? Curious. Particularly in this case. One would have given Rachel Quarles too much sense to be taken in by such a vacuum.’

Other people had thought so too, had also wondered why. Rachel Quarles seemed so incomparably too good for her husband. But one does not marry a set of virtues and talents; one marries an individual human being. The Sidney Quarles who had proposed to Rachel was a young man whom anyone might have fallen in love with and even believed in—anyone; and Rachel was only eighteen and particularly inexperienced. He too was young (youth is in itself a virtue), young and good-looking. Broad-shouldered and proportionately tall, portly now to the