Point Counter Point - Aldous Huxley [42]
Philip Quarles, meanwhile, said nothing. There was nothing, really, to say. He put his arm round her and drew her towards him; he kissed her forehead and her fluttering eyelids; they were wet with tears.
The sordid suburbs of Bombay slid past them—factories and little huts and huge tenements, ghastly and bone-white under the moon. Brown, thin-legged pedestrians appeared for a moment in the glare of the headlights, like truths apprehended intuitively and with immediate certainty, only to disappear again almost instantly into the void of outer darkness. Here and there, by the roadside, the light of a fire mysteriously hinted at dark limbs and faces. The inhabitants of a world of thought starrily remote from theirs peered at them, as the car flashed past, from creaking bullock carts.
‘My darling,’ he kept repeating, ‘my darling…’
Elinor permitted herself to be comforted. ‘You love me a little?’
‘So much.’
She actually laughed, rather sobbingly, it is true; but still, it was a laugh. ‘You do your best to be nice to me.’ And after all, she thought, those days at Gattenden had really been blissful. They were hers, she had had them; they couldn’t be denied. ‘You make such efforts. It’s sweet of you.’
‘It’s silly to talk like that,’ he protested. ‘You know I love you.’
‘Yes, I know you do.’ She smiled and stroked his cheek. ‘When you have time and then by wireless across the Atlantic.’
‘No, that isn’t true.’ But secretly he knew that it was. All his life long he had walked in a solitude, in a private void, into which nobody, not his mother, not his friends, not his lovers had ever been permitted to enter. Even when he held her thus, pressed close to him, it was by wireless, as she had said, and across an Atlantic that he communicated with her.
‘It isn’t true,’ she echoed, tenderly mocking. ‘But, my poor old Phil, you couldn’t even take in a child. You don’t know how to lie convincingly. You’re too honest. That’s one of the reasons why I love you. If you knew how transparent you were!’
Philip was silent. These discussions of personal relations always made him uncomfortable. They threatened his solitude—that solitude which, with a part of his mind, he deplored (for he felt himself cut off from much he would have liked to experience), but in which alone, nevertheless, his spirit could live in comfort, in which alone he felt himself free. At ordinary times he took this inward solitude for granted, as one accepts the atmosphere in which one lives. But when it was menaced, he became only too painfully aware of its importance to him; he fought for it, as a choking man fights for air. But it was a fight without violence, a negative battle of retirement and defence. He entrenched himself now in silence, in that calm, remote, frigid silence, which he was sure that Elinor would not attempt, knowing the hopelessness of the venture, to break through. He was right; Elinor glanced at him for an instant, and then, turning away, looked out at the moonlit landscape. Their parallel silences flowed on through time, unmeeting.
They were driven on through the Indian darkness. Almost cool against their faces, the moving air smelt now of tropical flowers, now of sewage, or curry, or burning cow-dung.
‘And yet,’ said Elinor suddenly, unable any longer to contain her resentful thoughts, ‘you couldn’t do without me. Where would you be, if I left you, if I went to somebody who was prepared to give me something in return for what I give? Where would you be?’
The question dropped into the silence. Philip made no answer. But where would he be? He too wondered. For in the ordinary daily world of human contacts he was curiously like a foreigner, uneasily not at home among his fellows, finding it difficult or impossible to enter into communication with any but those who could speak his native intellectual language of ideas. Emotionally, he was a foreigner. Elinor was his interpreter, his dragoman. Like her father,