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Point Counter Point - Aldous Huxley [48]

By Root 5793 0
Conversation was in the family. Her mother had been one of the celebrated Miss Geoghegans of Dublin. Her father was that Mr. Justice Brabant, so well known for his table talk and his witticisms from the bench. Moreover she had married into conversation. D’Exergillod had been a disciple of Robert de Montesquiou and had won the distinction of being mentioned in Sodome et Gomorrhe by Marcel Proust. Molly would have had to be a talker by marriage, if she had not already been one by birth. Nature and environment had conspired to make her a professional athlete of the tongue. Like all conscientious professionals, she was not content to be merely talented. She was industrious, she worked hard to develop her native powers. Malicious friends said that she could be heard practising her paradoxes in bed, before she got up in the morning. She herself admitted that she kept diaries in which she recorded, as well as the complicated history of her own feelings and sensations, every trope and anecdote and witticism that caught her fancy. Did she refresh her memory with a glance at these chronicles each time she dressed to go out to dinner? The same friends who had heard her practising in bed had also found her, like an examinee the night before his ordeal, laboriously mugging up Jean Cocteau’s epigrams about art and Mr. Birrell’s after-dinner stories and W. B. Yeats’s anecdotes about George Moore and what Charlie Chaplin had said to and of her last time she was in Hollywood. Like all professional talkers Molly was very economical with her wit and wisdom. There are not enough bons mots in existence to provide any industrious conversationalist with a new stock for every social occasion. Though extensive, Molly’s repertory was, like that of other more celebrated talkers, limited. A good housewife, she knew how to hash up the conversational remains of last night’s dinner to furnish out this morning’s lunch. Monday’s funeral baked meats did service for Tuesday’s wedding.

To Denis Burlap she was at this moment serving up the talk that had already been listened to with such appreciation by Lady Benger’s lunch party, by the week-enders at Gobley, by Tommy Fitton, who was one of her young men, and Vladimir Pavloff, who was another, by the American Ambassador and Baron Benito Cohen. The talk turned on Molly’s favourite topic.

‘Do you know what Jean said about me?’ she was saying (Jean was her husband). ‘Do you?’ she repeated insistently, for she had a curious habit of demanding answers to merely rhetorical questions. She leaned towards Burlap, offering dark eyes, teeth, a decollete.

Burlap duly replied that he didn’t know.

‘He said that I wasn’t quite human. More like an elemental than a woman. A sort of fairy. Do you think it’s a compliment or an insult?’

‘That depends on one’s tastes,’ said Burlap, making his face look arch and subtle as though he had said something rather daring, witty and at the same time profound.

‘But I don’t feel that it’s even true,’ Molly went on. I don’t strike myself as at all elemental or fairy-like. I’ve always considered myself a perfectly simple, straightforward child of nature. A sort of peasant, really.’ At this point in Molly’s performance all her other auditors had burst into laughing protestation. Baron Benito Cohen had vehemently declared that she was ‘ one of Nature’th Roman Empreththeth.’

Burlap’s reaction was unexpectedly different from that of the others. He wagged his head, he smiled with a far-away, whimsical sort of expression. ‘Yes,’ he said, ‘I think that’s true. A child of nature, malgre tout. You wear disguises, but the simple genuine person shows through.’

Molly was delighted by what she felt was the highest compliment Burlap could pay her. She had been equally delighted by the others’ denials of her peasanthood. Denial had been their highest compliment. The flattering intention, the interest in her personality were the things that mattered. About the actual opinions of her admirers she cared little.

Burlap, meanwhile, was developing Rousseau’s antithesis between the Man and the Citizen.

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