Point Counter Point - Aldous Huxley [83]
‘No, no.’ But what she said was true. He could hardly make Marjorie any more wretched than he had certainly done already. If she weren’t there, he thought, if she were to die—a miscarriage, bloodpoisoning…
Spandrell looked at his watch. ‘Halfpast three. The death rattle has almost started.’ Walter listened in horror; was the man reading his thoughts? ‘_Munie des conforts de notre sainte religion_. Your place is at the bedside, Walter. You can’t go and leave the night to die like a dog in a ditch.’
Like a dog in a ditch. The words were terrible, they condemned him. ‘I must go.’ He was firm, three hours too late. He walked away. In Oxford Street he found a taxi. Hoping, he knew vainly, to come home unobserved, he paid off the cab at Chalk Farm station and walked the last furlong to the door of the house in which he and Marjorie occupied the two upper floors. He had crept upstairs, he had opened the door with the precautions of a murderer. No sound from Marjorie’s room. He undressed, he washed as though he were performing a dangerous operation. He turned out the light and got into bed. The darkness was utterly silent. He was safe.
‘Walter!’
It was with the feelings of a condemned criminal when the warders come to wake him on the morning of his execution that he answered, putting an imitation of astonishment into his voice: ‘Are you awake, Marjorie?’ He got up and walked, as though from the condemned cell to the scaffold, into her room.
‘Do you want to make me die, Walter?’
Like a dog in a ditch, alone. He made as if to take her in his arms. Marjorie pushed him away. Her misery had momentarily turned to anger, her love to a kind of hatred and resentment. ‘Don’t be a hypocrite on top of everything else,’ she said. ‘Why can’t you tell me frankly that you hate me, that you’d like to get rid of me, that you’d be glad if I died? Why can’t you be honest and tell me?’
‘But why should I tell you what isn’t true?’ he protested.
‘Are you going to tell me that you love me, then?’ she asked sarcastically.
He almost believed it while he said so; and besides it was true, in a way.
‘But I do, I do. This other thing’s a kind of madness. I don’t want to. I can’t help it. If you knew how wretched I felt, what an unspeakable brute.’ All that he had ever suffered from thwarted desire, from remorse and shame and self-hatred seemed to be crystallized by his words into a single agony. He suffered and he pitied his own sufferings. ‘If you knew, Marjorie.’ And suddenly something in his body seemed to break. An invisible hand took him by the throat, his eyes were blinded with tears and a power within him that was not himself shook his whole frame and wrenched from him, against his will, a muffled and hardly human cry.
At the sound of this dreadful sobbing in the darkness beside her, Marjorie’s anger suddenly fell. She only knew that he was unhappy, that she loved him. She even felt remorse for her anger, for the bitter words she had spoken.
‘Walter. My darling.’ She stretched out her hands, she drew him down towards her. He lay there like a child in the consolation of her embrace.
‘Do you enjoy tormenting him?’ Spandrell enquired, as they walked towards the Charing Cross Road.
‘Tormenting whom? ‘ said Lucy. ‘Walter? But I don’t.’
‘But you don’t let him sleep with you?’ said Spandrell. Lucy shook her head. ‘And then you say you don’t torment him! Poor wretch!’
‘But why should I have him, if I don’t want to?’
‘Why indeed? Meanwhile, however, keeping him dangling’s mere torture.’
‘But I like him,’ said Lucy. ‘He’s such good company. Too young, of course; but really rather perfect. And I assure you, I don’t torment him. He torments himself.’
Spandrell delayed his laughter long enough to whistle for the taxi he had seen at the end of the street. The cab wheeled round and came to a halt in front of them. He was still silently laughing when they climbed in. ‘Still, he only gets what’s due to him,’ Spandrell went on from his dark corner. ‘He’s the real type of murderee.