Seed (her hysterectomy) (moral: nothing is never ironic, there’s always a laugh lurking somewhere) and the other two thirds are Argentine Diary by William L. Shirer and (same moral) The Memoirs of Casanova (his appendectomy). Otherwise our books are written by Sophie Portnoy, each an addition to that famous series of hers entitled, You Know Me, I’ll Try Anything Once. For the idea that seems to generate and inform her works is that she is some sort of daredevil who goes exuberantly out into life in search of the new and the thrilling, only to be slapped down for her pioneering spirit. She actually seems to think of herself as a woman at the very frontiers of experience, some doomed dazzling combination of Marie Curie, Anna Karenina, and Amelia Earhart. At any rate, that is the sort of romantic image of her which this little boy goes to bed with, after she has buttoned him into his pajamas and tucked him between the sheets with the story of how she learned to drive a car when she was pregnant with my sister, and the very first day that she had her license—“the very first hour, Alex”—“some maniac” slammed into her rear bumper, and consequently she has never driven a car from that moment on. Or the story of how she was searching for the goldfish in a pond at Saratoga Springs, New York, where she had been taken at the age of ten to visit an old sick aunt, and accidentally fell in, right to the bottom of the filthy pond, and has not gone into the water since, not even down the shore, when it’s low tide and a lifeguard is on duty. And then there is the lobster, which even in her drunkenness she knew wasn’t chicken à la king, but only “to shut up the mouth on that Doyle” had forced down her throat, and subsequently the near-tragedy happened, and she has not of course eaten anything even faintly resembling lobster since. And does not want me to either. Ever. Not, she says, if I know what is good for me. “There are plenty of good things to eat in the world, Alex, without eating a thing like a lobster and running the risk of having paralyzed hands for the rest of your life.”
Whew! Have I got grievances! Do I harbor hatreds I didn’t even know were there! Is it the process, Doctor, or is it what we call “the material”? All I do is complain, the repugnance seems bottomless, and I’m beginning to wonder if maybe enough isn’t enough. I hear myself indulging in the kind of ritualized bellyaching that is just what gives psychoanalytic patients such a bad name with the general public. Could I really have detested this childhood and resented these poor parents of mine to the same degree then as I seem to now, looking backward upon what I was from the vantage point of what I am—and am not? Is this truth I’m delivering up, or is it just plain kvetching? Or is kvetching for people like me a form of truth? Regardless, my conscience wishes to make it known, before the beefing begins anew, that at the time my boyhood was not this thing I feel so estranged from and resentful of now. Vast as my confusion was, deep as my inner turmoil seems to appear in retrospect, I don’t remember that I was one of those kids who went around wishing he lived in another house with other people, whatever my unconscious yearnings may have been in that direction. After all, where else would I find an audience like those two for my imitations? I used to leave them in the aisles at mealtime—my mother once actually wet her pants, Doctor, and had to go running in hysterical laughter to the bathroom from my impression of Mister Kitzel on “The Jack Benny Show.” What else? Walks, walks with my father in Weequahic Park on Sundays that I still haven’t forgotten. You know, I can’t go off to the country and find an acorn on the ground without thinking of him and those walks. And that’s not nothing, nearly thirty years later.
And have I mentioned, vis-à-vis my mother, the running conversation we two had in those years before I was even old enough to go off by myself to a school? During those five years when we had each other alone all day long, I do believe we covered just about