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By Root 3860 0

And did she really kneel, are you shitting me? Did she actually kneel on her knees? And what about her teeth, where do they go? And does she suck on it, or does she blow on it, or somehow is it that she does both? Oh God, Ba-ba-lu, did you shoot in her mouth? Oh my God! And did she swallow it right down, or spit it out, or get mad—tell me! what did she do with your hot come! Did you warn her you were going to shoot, or did you just come off and let her worry? And who put it in—did she put it in or did you put it in, or does it just get drawn in by itself? And where were all your clothes?—on the couch? on the floor? exactly where? I want details! Details! Actual details! Who took off her brassiere, who took off her panties—her panties—did you? did she? When she was down there blowing, Ba-ba-lu, did she have anything on at all? And how about the pillow under her ass, did you stick a pillow under her ass like it says to do in my parents’ marriage manual? What happened when you came inside her? Did she come too? Mandel, clarify something that I have to know—do they come? Stuff? Or do they just moan a lot—or what? How does she come! What is it like! Before I go out of my head, I have to know what it’s like!

THE MOST PREVALENT FORM OF DEGRADATION IN EROTIC LIFE

I don’t think I’ve spoken of the disproportionate effect The Monkey’s handwriting used to have upon my psychic equilibrium. What hopeless calligraphy! It looked like the work of an eight-year-old—it nearly drove me crazy! Nothing capitalized, nothing punctuated—only those oversized irregular letters of hers slanting downward along the page, then dribbling off. And printed, as on the drawings the rest of us used to carry home in our little hands from first grade! And that spelling. A little word like “clean” comes out three different ways on the same sheet of paper. You know, as in “Mr. Clean”?—two out of three times it begins with the letter k. K! As in “Joseph K.” Not to mention “dear” as in the salutation of a letter: d-e-r-e. Or d-e-i-r. And that very first time (this I love) d-i-r. On the evening we are scheduled for dinner at Gracie Mansion—D! I! R! I mean, I just have to ask myself—what am I doing having an affair with a woman nearly thirty years of age who thinks you spell “dear” with three letters!

Already two months had passed since the pickup on Lexington Avenue, and still, you see, the same currents of feeling carrying me along: desire, on the one hand, delirious desire (I’d never known such abandon in a woman in my life!), and something close to contempt on the other. Correction. Only a few days earlier there had been our trip to Vermont, that weekend when it had seemed that my wariness of her—the apprehension aroused by the model-y glamour, the brutish origins, above everything, the sexual recklessness—that all this fear and distrust had been displaced by a wild upward surge of tenderness and affection.

Now, I am under the influence at the moment of an essay entitled “The Most Prevalent Form of Degradation in Erotic Life”; as you may have guessed, I have bought a set of the Collected Papers, and since my return from Europe, have been putting myself to sleep each night in the solitary confinement of my womanless bed with a volume of Freud in my hand. Sometimes Freud in hand, sometimes Alex in hand, frequently both. Yes, there in my unbuttoned pajamas, all alone, I lie, fiddling with it like a little boy-child in a dopey reverie, tugging on it, twisting it, rubbing and kneading it, and meanwhile reading spellbound through “Contributions to the Psychology of Love,” ever heedful of the sentence, the phrase, the word that will liberate me from what I understand are called my fantasies and fixations.

In the “Degradation” essay there is that phrase, “currents of feeling.” For “a fully normal attitude in love” (deserving of semantic scrutiny, that “fully normal,” but to go on—) for a fully normal attitude in love, says he, it is necessary that two currents of feeling be united: the tender, affectionate feelings, and the sensuous feelings. And in many instances