Powder Burn - Carl Hiaasen [16]
Early rising was a legacy of the hospital, he supposed. He had been home a week now, and his leg had subsided into a manageable ache. He looked appraisingly through the line of royal palms at the pool. No swimming, the doctor had said, until the bandages were off.
Truth be told, Meadows didn’t want to swim. He didn’t feel like working either. It had been a lost week, a week of nothingness—two weeks if you counted the hospital time. Apathy was a stranger to Meadows, but he felt trapped in its cobwebs now and too mushy-headed to resist.
The day before, in a listless walk through the tropical acre that shielded his house from the road, Meadows had halfheartedly examined himself. Diagnosis: sorrow, anger and shock in about equal measure. So he was feeling sorry for himself. So what? He was entitled to it, wasn’t he?
It was not as though anybody else gave a damn. Arthur had come by with a book of chess problems and a pocketful of wisecracks, a few neighbors had made sympathetic cluckings and he had had to proclaim himself fully recovered to forestall a visit from his mother. Beyond that, Meadows mourned alone in a cocoon of privacy. Terry would have helped—she would have helped a great deal—but when Terry lifted her bulky cargo plane off the runway at Miami International and pointed south, only God knew where she would turn up next.
Meadows overcame his ennui once each day to dial the number Nelson had given him, to ask if the killers had been caught.
“Nothing new,” Pincus had said curtly the day before. Nothing new.
Awkwardly Meadows swung off the rattan sofa. Maybe if he went upstairs and sat at his worktable, he could summon up inspiration or at least some energy.
The house was wood, dark and weathered, with a fronting of native limestone. Meadows had bought it a few years before from a cracker family that had lived there in termited isolation for more than half a century. Meadows had dubbed the house his “cracker box” and set about rebuilding it in his own image.
The huge screened porch with its Sea Island hammocks faced the bay. Inside, Meadows had torn down the interior partitions, opening up the living area so it flowed into the porch, uniting the whole with polished oak floors and cypress ceiling beams. Doing most of the work himself, Meadows had built a second story, also of wood, also with its huge porch, and joined it to the first by a spiral staircase that seemed to float off the floor.
It was on the second floor that Meadows slept and gave birth to his architectural dreams. A skylight joined studio and bedroom, making the second story as light and airy as the first was dark and cool. A scarred drafting table dominated the studio. In walk-around mahogany display cases sat precise models of buildings Meadows had conceived—and some he wished he had.
Meadows was doodling listlessly that morning when Stella called. Stella was the dragon who guarded the small office Meadows kept in downtown Miami. He seldom went to the office, and she was the major reason.
Stella was an intense, aggressive female who should have been a politician: all style and no substance. She had the most commanding telephone presence Meadows had ever encountered—that was why he had hired her. What he had not discovered until after it was too late to fire her was that forceful Stella never got anything right.
At first Meadows had been dismayed. He had chided her, coaxed her, coached her until he was sure she understood. It was like translating from another language. If he asked her to book him on Western to San Francisco, she would say “Yes, sir, right away, Mr. Meadows,” and call Eastern.
By now, however, Meadows had grown accustomed to Stella. In fact, Meadows’s friends had his unlisted home number, everybody else called Stella. It worked fine. When Stella garbled a message, it usually turned out to be somebody he hadn’t wanted to talk