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Presentation Zen [47]

By Root 2118 0
easier way to at least approach golden-mean proportions, and you can use the grids to align elements that give the overall design balance, a clear flow and point of focus, and a natural overall cohesiveness and aesthetic quality that is not accidental but is by design.

The Big Four: Contrast, Repetition, Alignment, Proximity


These four principles are not all there is to know about graphic design, but understanding these simple related concepts and applying them to slide design can make for far more satisfying and effective designs.

Contrast


Contrast simply means difference. And for whatever reason—perhaps our brains think they are still back in the savannah scanning for wild predators—we are all wired to notice differences. We are not conscious of it, but we are scanning and looking for similarities and differences all the time. Contrast is what we notice, and it’s what gives a design its energy. So you should make elements that are not the same clearly different, not just slightly different.

Contrast is one of the most powerful design concepts of them all because really any design element can be contrasted with another. You can achieve contrast in many ways—for example, through the manipulation of space (near and far, empty and filled), through color choices (dark and light, cool and warm), by text selection (serif and sans serif, bold and narrow), by positioning of elements (top and bottom, isolated and grouped), and so on.

Making use of contrast can help you create a design in which one item is clearly dominant. This helps the viewer “get” the point of your design quickly. Every good design has a strong and clear focal point and having a clear contrast among elements (with one being clearly dominant) helps. If all items in a design are of equal or similar weight with weak contrast and with nothing being clearly dominant, it is difficult for the viewer to know where to begin. Designs with strong contrast attract interest, and help the viewer make sense of the visual. Weak contrast is not only boring, but it can be confusing.

Every single element of a design such as line, shape, color, texture, size, space, type, and so on can be manipulated to create contrast. The following are some slides that make good use of contrast compared with slides that have weaker contrast…

Strong contrast

Weak contrast

Strong contrast

Weak contrast

Repetition


The principle of repetition simply means the reusing of the same or similar elements throughout your design. Repetition of certain design elements in a slide or among a deck of slides will bring a clear sense of unity, consistency, and cohesiveness. Where contrast is about showing differences, repetition is about subtly using elements to make sure the design is viewed as being part of a larger whole. If you use a stock template from your software application, then repetition is already built into your slides. For example, a consistent background and consistent use of type adds unity across a deck of slides.

However, you must be careful not to have too much repetition among your slides. Most of the built-in templates have been seen many times before and may not suit your unique situation. Many of the standard templates also have background elements that will soon become tiring, rather than generating interest the tenth time a different slide is shown but with the same repetitive element. For example, a starfish in the lower right (not my favorite but perhaps appropriate for a presentation on marine biology) is an element that would be a stronger repetitive element if its size and location occasionally shifted in harmony with the content of different slides and in a way that was subtle and did not interfere with the primary message.

The following slides are a good example of repetition. In these slides from a presentation on the process of designing a book, Swiss designer and photographer Markuz Wernli Saito used his own full bleed photos for all his slides. To help give the entire presentation a unified look, he used a similar red note

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