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Presentations in Action - Jerry Weissman [65]

By Root 268 0
shows, 94

length of, 27

Irena’s Vow (Broadway play), 97

Irving, John, 40–41

J

job interviews, tips for, 126

Jobs, Steve, 38–39

jokes, avoiding, 12–13

K

Kagan, Elena, 149–152

Kaine, Tim, 147

“Keeping Your Foot Away from Your Mouth” (Zaslow), 123

Kennedy, John F., 14, 28, 105

Kennell, John H., 89

Kern, Jerome, 101

Kimmel, Jimmy, 161

King, Larry, 161

Kipling, Rudyard, 56, 97

Klaus, Marshall H., 89

Klaus, Phyllis H., 89

Kosslyn, Stephen, 62–63, 66

Kounios, John, 32

L

Lane, Robert, 62

LaSalle, Mick, 22

Laurel, Stan, 135

left versus right, 164–167

length of presentations, 18–19, 26–27

Leno, Jay, 161

Letterman, David, 17, 120, 161

Lincoln, Abraham, 14

linguistics, synchronizing graphics with, 156–157, 168–169

listening 133–134

to multiple questions, 133–134

silent reactions and, 135

speed of Q&A responses, 131–132

understanding questions before answering, 146

localization, customizing presentations, 6

Lott, Trent, 122

Loven, Jennifer, 141

Lublin, Joann, 136

Luce, Clare Boothe, 28

M

Mad Money (television program), 143

Madoff, Bernie, 142–143

Maher, Bill, 161

Mattis, James N., 84

McChrystal, Stanley A., 84, 122

McMaster, H. R., 84

McMillan, Don, 69

Mental Method of Presenting, 96

Microsoft, 44–45

Mies van der Rohe, Ludwig, 27

military, PowerPoint usage, 84–85

Milk (film), 22

“Miss Otis Regrets” (Porter), 151

mistakes 142–143

admitting when questioned, 142–143

during speaking, 122–123

Morgan, Frank, 5

Moschitta, John Jr., 109

Muller, James E., 46–47

multiple drafts of presentations, 40–41

multiple presenters to multiple audiences with single presentation, 158–159

multiple questions, listening to, 133–134

“Murder Boards” (preparation for Q&A sessions), 149–150

Murrow, Edward R., 91–92

Mutual of Omaha, 32

mutual references, customizing presentations, 6

N

“naming things” process, 20–21

Navy (U.S.), 75

nervousness, overcoming, 99–100, 116–117

New York Times, 80

Newton, Isaac, 32

Nichols, Mike, 20–21

Noonan, Peggy, 9, 28–29

Numerical Flow Structure, 17

O

Obama, Barack, 8–9, 26, 28–29, 48, 50, 118, 120–122, 133–134, 141, 149, 151

Olivier, Laurence, 116

The Oprah Winfrey Show (television program), 160

Orszag, Peter, 118

ownership, 15

P

Paul, Rand, 147

pausing, 109

to breathe, 103–104

during presentations, 63, 78–79, 168–169

Peabody, Francis W., 46

Peacock, Bill, 24, 108

Penn, Sean, 22

Perahia, Murray, 95–96

perception of presentations, 62–63, 78–79, 164–167

person-to-person conversation, 93–94, 161

Bill Clinton, 106–107

Edward R. Murrow, 91–92

Elizabeth Dole, 108

Vin Scully, 115

persuasion, power of “you,” 8–9, 44–45

Phelps, Michael, 99–100

phrases, positive phrases in presentations, 38–39

The Physiology of Taste: Or, Meditations on Transcendental Gastronomy (Brillat-Savarin, 127

Pickford, Mary, 160

pictures, combining with text, 64–66

politicians, spinning the message, 147–148

Pollan, Michael, 127

Polonius, 144

Pope, Alexander, 123

Portelli, Bill, 36

Porter, Cole, 151

position (sitting versus standing), 111–112

positive phrases in presentations, 38–39

posture, 162

Powell, Colin, 140

practicing presentations, 30–31, 113–114, 123

preparation for presentations 20–21

“naming things” process, 20–21

time required, 18–19

preparation for Q&A sessions, 149–150

The Presentation Secrets of Steve Jobs: How to Be Insanely Great in Front of Any Audience (Gallo), 38

Presentation Zen: Simple Ideas on Presentation Design and Delivery (Reynolds), 85

Presentation-as-Document Syndrome, 55–58

presentations 155

contextual perception, 155

customizing, 5–7

delivery style 118–119 See delivery style

documents versus, 55–58, 158–159

flow of, 34–35

human perception and, 62–63, 78–79, 164–167

humor in, 12–13

integration of components, 170–171

key factors in, 160–163

length of, 18–19, 26–27

multiple drafts of, 40–41

pausing during, 63, 78–79, 168–169

practicing, 30–31, 113–114, 123

preparation for 20–21

“naming things” process, 20–21

time required, 18–19

sending previews of, 60–61

storytelling in, 22–23, 36–37

structure of,

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