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Proud Tower - Barbara W. Tuchman [5]

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Now sixty-five, his youthful lankiness had turned to bulk, his shoulders had grown massive and more stooped than ever, and his heavy bald head with full curly gray beard rested on them as if weighted down. Melancholy, intensely intellectual, subject to sleepwalking and fits of depression which he called “nerve storms,” caustic, tactless, absent-minded, bored by society and fond of solitude, with a penetrating, skeptical, questioning mind, he had been called the Hamlet of English politics. He was above the conventions and refused to live in Downing Street. His devotion was to religion, his interest in science. In his own home he attended private chapel every morning before breakfast, and had fitted up a chemical laboratory where he conducted solitary experiments. He harnessed the river at Hatfield for an electric power plant on his estate and strung up along the old beams of his home one of England’s first electric light systems, at which his family threw cushions when the wires sparked and sputtered while they went on talking and arguing, a customary occupation of the Cecils.

Lord Salisbury cared nothing for sport and little for people. His aloofness was enhanced by shortsightedness so intense that he once failed to recognize a member of his own Cabinet, and once, his own butler. At the close of the Boer War he picked up a signed photograph of King Edward and, gazing at it pensively, remarked, “Poor Buller [referring to the Commander-in-Chief at the start of the war], what a mess he made of it.” On another occasion he was seen in prolonged military conversation with a minor peer under the impression that he was talking to Field Marshal Lord Roberts.

For the upper-class Englishman’s alter ego, most intimate companion and constant preoccupation, his horse, Lord Salisbury had no more regard. Riding was to him purely a means of locomotion to which the horse was “a necessary but extremely inconvenient adjunct.” Nor was he addicted to shooting. When Parliament rose he did not go north to slaughter grouse upon the moors or stalk deer in Scottish forests, and when protocol required his attendance upon royalty at Balmoral, he would not go for walks and “positively refused,” wrote Queen Victoria’s Private Secretary, Sir Henry Ponsonby, “to admire the prospect or the deer.” Ponsonby was told to have his room in the dismal castle kept “warm”—a minimum temperature of sixty degrees. Otherwise he retired for his holidays to France, where he owned a villa at Beaulieu on the Riviera and where he could exercise his fluent French and lose himself in The Count of Monte Cristo, the only book, he once told Dumas fils, which allowed him to forget politics.

His acquaintance with games was confined to tennis, but when elderly he invented his own form of exercise, which consisted in riding a tricycle through St. James’s Park in the early mornings or along paths cemented for the purpose in the park of his estate at Hatfield. Wearing for the occasion a kind of sombrero hat and a short sleeveless cloak with a hole in the middle in which he resembled a monk, he would be accompanied by a young coachman to push him up the hills. At the downhill slopes, the young man would be told to “jump on behind,” and the Prime Minister, with the coachman’s hands on his shoulders, would roll away, cloak flying and pedals whirring.

Hatfield, twenty miles north of London in Hertfordshire, had been the home of the Cecils for nearly three hundred years since James I had given it, in 1607, to his Prime Minister, Robert Cecil, first Earl of Salisbury, in exchange for a house of Cecil’s to which the King had taken a fancy. It was the royal residence where Queen Elizabeth had spent her childhood and where, on receiving news of her accession, she held her first council, to swear in William Cecil, Lord Burghley, as her chief Secretary of State. Its Long Gallery, with intricately carved paneled walls and gold-leaf ceiling, was 180 feet in length. The Marble Hall, named for the black and white marble floor, glowed like a jewel case with painted and gilded ceiling and Brussels

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