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Provenance_ How a Con Man and a Forger Rewrote the History of Modern Art - Laney Salisbury [132]

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Colin. “Artful Forger Convicted.” Art & Auction 21, no. 13 (March 15-31, 1999).

———. “The Fake’s Progress.” Art Monthly no. 225 (April 1999).

———. “The Art Detective.”Daily Telegraph, July 8, 2002.

Gray, Paul. “Fakes That Have Skewed History.” Time, May 16, 1983.

Grubin, Don. “Commentary: Getting at the Truth About Pathological Lying.” Journal of American Academy of Psychiatry and Law 33, no. 3 (2005).

Harman, Alan. “Art Crime Linked to Drugs and Arms.” Law & Order (May 1995).

Heartney, Eleanor. “Artists vs. the Market.” Art in America 76, no. 5 (May 1988).

Hirschberg, Lynn. “The Four Brushmen of the Apocalypse.” Esquire, March 1987.

Honigsbaum, Mark. “The Master Forger.” The Guardian (London), Dec. 8, 2005.

Howe, Melvyn. “Puppet Master.” The Journal (Newcastle), Feb. 13, 1999.

Hughes, Robert. “Sold!” Time, Nov. 27, 1989.

———. “Brilliant, But Not for Real.” Time, May 7, 1990.

James, Marianne. “Art Crime.” Australian Institute of Criminology no. 170 (October 2000).

Januszczak, Waldemar. “All Nash and No Bite—The ICA Has Become a Playground for a Declining Civilization.” The Guardian (London), Sept. 19, 1987.

Karpman, Ben. “From the Autobiography of a Liar.” Psychiatric Quarterly 23, no. 3 (1949).

Katz, Donald. “Art Goes to Wall Street.” Esquire, July 1989.

Kennick, W. E. “Art and Inauthenticity.” Journal of Aesthetics and Art Criticism 44, no. 1 (Autumn 1985).

Koenigsberg, Lisa. “Art as a Commodity? Aspects of a Current Issue.” Archives of American Art Journal 29, no. 3/4 (1989).

Landsman, Peter. “A 20th-Century Master Scam.” New York Times Magazine, July 18, 1999.

Lyall, Sarah. “After Stint of Crime, Art Forger Sells Genuine Fakes.” New York Times, Mar. 4, 2006.

Moss, Stephen. “What’s Wrong with This Picture?” The Guardian (London), Feb. 20, 1999.

Murphy, Marina. “The Art of Deception.” Chemistry & Industry no. 19 (October 4, 2004).

O’Neil, Eamonn. “The Art of Deception.” The Scotsman, July 6, 2002.

O’Sullivan, Eckman. “A Few Can Catch a Liar.” Psychological Science 10, no. 3 (1999).

Patton, Lucy. “Hundreds of Forgeries Made a Million: Mastermind Who Fooled Art World.” The Herald (Glasgow), Feb. 13, 1999.

Phillips, Deborah. “Bright Lights Big City.” ARTNews 84 (September 1985).

Polk, Kenneth. “Unveiling Secrets and Lies: Examining Threats to Collections of Art.” Keynote Address, University of Melbourne, Oct. 9, 2001, presented at the Australian Registrars Committee Conference.

Poltz, Kim, and Maggie Malone. “Golden Paintbrushes.” Newsweek, Oct. 15, 1984.

Riding, Alan. “Art Fraud’s New Trick: Add Fakes to Archive.” New York Times, June 19, 1996.

Rubin, Gareth. “I Could Still Dupe the Art World with My Forgeries But I’d Never Risk Going Back to the Hell of Jail.” The Express on Sunday (London), Mar. 30, 2003.

Selling, Lowell. “The Psychiatric Aspects of the Pathological Liar.” The Nervous Child 1, (1942).

Serafin, Amy. “Believe It or Not.” Art & Auction 30 (2007).

Shaw, Adrian. “Conman Gets 6 Years for Pounds 1 Million Art Racket.” The Mirror, Feb. 16, 1999.

Smith, Roberta. “Rituals of Consumption.” Art in America 76, no. 5 (May 1988).

Spiegler, Marc. “The Giacometti Legacy: A Struggle for Control.” ARTNews 103, no. 9 (October 2004).

Tooze, Steve. “How I Forged My Career as a Con Artist.” The Mirror, Oct. 7, 2000.

Walker, Richard. “The New Grand Acquisitors.” ARTNews 84 (September 1985).

Wallis, Stephen. “Dubuffet Fakes Make Foundation Target.” Art & Auction 21, no. 18 (June 1-15, 1999).

Wood, Joe. “Pounds 1 M of Art Made With Mud, Salt and a Hoover Bag.” Daily Record (Glasgow), Feb. 13, 1999.

Zemel, Carol. “What Becomes a Legend.” Art in America 76, no. 7 (1988).

BOOKS

Burnham, Sophy. The Art Crowd. New York: D. McKay, 1973.

Checkland, Sarah Jane. Ben Nicholson: The Vicious Circles of His Life & Art. London: John Murray, 2000.

Clifford, Irving. Fake! The Story of Elmyr de Hory—The Greatest Art Forger of Our Time. New York: McGraw-Hill, 1969.

Cole, Lyn. Contemporary Legacies: An Incomplete History of the ICA 1947-1990, unpublished.

Dolnick, Edward. The Rescue Artist: A True

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