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Queen Victoria [122]

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would have filled her with supreme displeasure.

Nevertheless it must not be supposed that she was a second George III. Her desire to impose her will, vehement as it was, and unlimited by any principle, was yet checked by a certain shrewdness. She might oppose her Ministers with extraordinary violence, she might remain utterly impervious to arguments and supplications; the pertinacity of her resolution might seem to be unconquerable; but, at the very last moment of all, her obstinacy would give way. Her innate respect and capacity for business, and perhaps, too, the memory of Albert's scrupulous avoidance of extreme courses, prevented her from ever entering an impasse. By instinct she understood when the facts were too much for her, and to them she invariably yielded. After all, what else could she do?

But if, in all these ways, the Queen and her epoch were profoundly separated, the points of contact between them also were not few. Victoria understood very well the meaning and the attractions of power and property, and in such learning the English nation, too, had grown to be more and more proficient. During the last fifteen years of the reign--for the short Liberal Administration of 1892 was a mere interlude imperialism was the dominant creed of the country. It was Victoria's as well. In this direction, if in no other, she had allowed her mind to develop. Under Disraeli's tutelage the British Dominions over the seas had come to mean much more to her than ever before, and, in particular, she had grown enamoured of the East. The thought of India fascinated her; she set to, and learnt a little Hindustani; she engaged some Indian servants, who became her inseparable attendants, and one of whom, Munshi Abdul Karim, eventually almost succeeded to the position which had once been John Brown's. At the same time, the imperialist temper of the nation invested her office with a new significance exactly harmonising with her own inmost proclivities. The English polity was in the main a common-sense structure, but there was always a corner in it where common-sense could not enter--where, somehow or other, the ordinary measurements were not applicable and the ordinary rules did not apply. So our ancestors had laid it down, giving scope, in their wisdom, to that mystical element which, as it seems, can never quite be eradicated from the affairs of men. Naturally it was in the Crown that the mysticism of the English polity was concentrated--the Crown, with its venerable antiquity, its sacred associations, its imposing spectacular array. But, for nearly two centuries, common-sense had been predominant in the great building, and the little, unexplored, inexplicable corner had attracted small attention. Then, with the rise of imperialism, there was a change. For imperialism is a faith as well as a business; as it grew, the mysticism in English public life grew with it; and simultaneously a new importance began to attach to the Crown. The need for a symbol--a symbol of England's might, of England's worth, of England's extraordinary and mysterious destiny--became felt more urgently than ever before. The Crown was that symbol: and the Crown rested upon the head of Victoria. Thus it happened that while by the end of the reign the power of the sovereign had appreciably diminished, the prestige of the sovereign had enormously grown.

Yet this prestige was not merely the outcome of public changes; it was an intensely personal matter, too. Victoria was the Queen of England, the Empress of India, the quintessential pivot round which the whole magnificent machine was revolving--but how much more besides! For one thing, she was of a great age--an almost indispensable qualification for popularity in England. She had given proof of one of the most admired characteristics of the race--persistent vitality. She had reigned for sixty years, and she was not out. And then, she was a character. The outlines of her nature were firmly drawn, and, even through the mists which envelop royalty, clearly visible. In the popular imagination her familiar figure
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