Rabbit, Run - John Updike [34]
“Come on,” Ruth says, in a voice slightly tense with the fear of falling, his weight pinning her legs. “Get into bed.”
He senses the trap. “No,” he says, and stands up. “You’ll put on a flying saucer.”
“No, I won’t. Listen, you won’t know if I do or don’t.”
“Sure I will. I’m very sensitive.”
“Oh Lord. Well anyway I got to take a leak.”
“Go ahead, I don’t care,” he says, and won’t let her close the bathroom door. She sits, like women do, primly. At home he and Janice had been trying to toilet-train Nelson, so leaning there in the doorway he feels a ridiculous paternal impulse to praise her. She is so tidy.
“Good girl,” he says when she rises, and leads her into the bedroom. The edges of the doorway they pass through seem very vivid and sharp. They will always be here. Behind them, the plumbing vibrates and murmurs. She moves with shy stiffness, puzzled by his will. Trembling again, shy himself, be brings her to a stop by the foot of the bed and searches for the catch of her dress. He finds buttons on the back and can’t undo them easily; his hands come at them reversed.
“Let me do it.”
“Don’t be in such a hurry; I’ll do it. You’re supposed to enjoy this. This is our wedding night.”
“Ha ha.”
He hates this mocking reflex in her. He turns her roughly, and, in a reflex of his own, falls into a deep wish to give comfort. He touches her caked cheeks; she seems small as he looks down into the frowning planes of her set, shadowed face. He moves his lips into one eye socket, gently, trying to say this night has no urgency in it, trying to listen through his lips to the timid pulse beating in the bulge of her lid. With a careful impartiality he fears she will find comic, he kisses also her other eye; then, excited by the thought of his own tenderness, his urgency spills; his mouth races across her face, nibbling, licking, so that she does laugh, tickled, and pushes away. He locks her against him, crouches, and presses his parted teeth into the fat hot hollow at the side of her throat. Ruth tenses at his threat to bite, and her hands shove at his shoulders, but he clings there, his teeth bared in a silent exclamation, crying out against her smothering throat that it is not her crotch he wants, not the machine; but her, her.
Though there are no words she hears this, and says, “Don’t try to prove you’re a lover on me. Just come and go.”
“You’re so smart,” he says, and starts to hit her, checks his arm, and offers instead, “Hit me. Come on. You want to, don’t you? Really pound me.”
“My Lord,” she says, “this’ll take all night.” He plucks her limp arm from her side and swings it up toward him, but she manages her hand so that five bent fingers bump against his cheek painlessly. “That’s what poor Maggie has to do for your old bastard friend.”
He begs, “Don’t talk about them.”
“Damn men,” she continues, “either want to hurt somebody or be hurt.”
“I don’t, honest. Either one.”
“Well then undress me and stop screwing around.”
He sighs through his nose. “You have a sweet tongue,” he says.
“I’m sorry if I shock you.” Yet in her voice is a small metallic withdrawal, as if she really is.
“You don’t,” he says and, business-like, stoops and takes the hem of her dress in his hands. His eyes are enough accustomed to the dark now to see the cloth as green. He peels it up her body, and she lifts her arms, and her head gets caught for a moment in the neck-hole. She shakes her head crossly, like a dog with a scrap, and the dress comes free, skims off her arms into his hands floppy and faintly warm. He sails it into a chair hulking in a corner. “God,” he says, “you’re pretty.” She is a ghost in her silver slip. Dragging the dress over her head has loosened her hair. Her solemn face tilts as she quickly lifts out the pins. Her hair falls out of heavy loops.
“Yeah,” she says. “Pretty plump.”
“No,” he says, “you are,” and in the space of a breath goes to her and picks her up, great glistening sugar in her sifty-grained slip, and carries her to the bed, and lays her on it. “So pretty.”
“You lifted me,” she says. “That’ll put you out