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By Root 4354 0

is waiting for him on Cherry Street in the cool spring noon mysteriously; it is as if a room of a house he owned had been detached and scuttled by this curb and now that the tide of night was out stood up glistening in the sand, slightly tilting but unharmed, ready to sail at the turn of a key. Under his rumpled and dirty clothes his body feels clean, narrow, hollow. The car smells secure: rubber and dust and painted metal hot in the sun. A sheath for the knife of himself. He cuts through the Sunday-stunned town, the soft rows of domestic brick, the banistered porches calm pools of wood. He drives around the great flank of Mt. Judge; its slope by the highway is dusted the yellow-green of new leaves; higher up the evergreens make a black horizon with the sky. The view has changed since the last time he came this way. Yesterday morning the sky was ribbed with thin-stretched dawn clouds, and he was exhausted, heading into the center of the net, where alone there seemed a chance of rest. Now the noon of another day has burned away the clouds, and the sky in the windshield is blank and cold, and he feels nothing ahead of him, Ruth’s delicious nothing, the nothing she told him she did. Her eyes were that blue. Unflecked. Your heart lifts forever through that black sky.

His mood of poise crumbles as he descends into the familiar houses of Mt. Judge. He becomes cautious, nervous. He turns up Jackson, up Potter, up Wilbur, and tries to make out from some external sign if there is anyone in his apartment. No telltale light would show; it is the height of day. No car is out front. He circles the block twice, straining his neck to see a face at the window. Purple opaque panes. Ruth was wrong; he doesn’t want to see Janice.

The bare possibility makes him so faint that when he gets out of the car the bright sun almost knocks him down. As he climbs the stairs, the steps seem to calibrate, to restrain by notches, a helpless tendency in his fear-puffed body to rise. He raps on the door, braced to run. Nothing answers on the other side. He taps again, listens, and takes the key out of his pocket.

Though the apartment is empty, it is yet so full of Janice he begins to tremble; the sight of that easy chair turned to face the television attacks his knees. Nelson’s broken toys on the floor derange his head; all the things inside his skull, the gray matter, the bones of his ears, the apparatus of his eyes, seem clutter clogging the tube of his self; his sinuses choke, with a sneeze or tears, he doesn’t know. The living-room has the feel of dust. The shades are still drawn. Janice drew them in the afternoons to keep glare off the television screen. Someone has made gestures of cleaning up; her ashtrays and her empty glass have been taken away. Rabbit puts the door key and the car keys on top of the television case, metal painted brown in imitation of wood grain. As he opens the closet door the knob bumps against the edge of the set. Some of her clothes are gone.

He means to reach for his clothes but instead turns and wanders toward the kitchen, trying to gather up the essence of what he has done. Their bed sags in the filtered sunlight. Never a good bed. Her parents had given it to them. On the bureau sit a few of her bottles and jars and a fingernail scissors and a spool of white thread and a needle and some brass hairpins and a telephone book and a Baby Ben with luminous numbers and a recipe she never used torn from a magazine and a necklace made of wood beads carved in Java he got her for Christmas. Insecurely tilted against the wall is the big oval mirror they took away when her parents had a new bathroom put in; he always meant to attach it to the plaster above her bureau for her but never got around to buying molly bolts. A glass on the windowsill, half full of stale, bubbled water, throws a curved patch of diluted sun onto the bare place where the mirror should have been fixed. Three long nicks, here, scratched in the wall, parallel; what ever made them, when? Beyond the edge of the made bed a white triangle of bathroom floor shows: