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By Root 5057 0

in the pillow to smother her cries. I know, I know, Goldman said. But you will thank me. Under Goldman’s vigorous rubbing Evelyn’s flesh seemed to spring into its fullest conformations. She was shivering now and her buttocks were clenched against the invigorating chill of the astringent. Her legs squeezed together. Goldman now took from her bag a bottle of massage oil and began to knead Evelyn’s neck and shoulders and back, her thighs and calves and the soles of her feet. Gradually Evelyn relaxed and her flesh shook and quivered under the emphatic skill of Goldman’s hands. Goldman rubbed the oil into her skin until her body found its own natural rosy white being and began to stir with self-perception. Turn over, Goldman commanded. Evelyn’s hair was now undone and lay on the pillow about her face. Her eyes were closed and her lips stretched in an involuntary smile as Goldman massaged her breasts, her stomach, her legs. Yes, even this, Emma Goldman said, briskly passing her hand over the mons. You must have the courage to live. The bedside lamp seemed to dim for a moment. Evelyn put her own hands on her breasts and her palms rotated the nipples. Her hands swam down along her flanks. She rubbed her hips. Her feet pointed like a dancer’s and her toes curled. Her pelvis rose from the bed as if seeking something in the air. Goldman was now at the bureau, capping her bottled emollient, her back to Evelyn as the younger woman began to ripple on the bed like a wave on the sea. At this moment a hoarse unearthly cry issued from the walls, the closet door flew open and Mother’s Younger Brother fell into the room, his face twisted in a paroxysm of saintly mortification. He was clutching in his hands, as if trying to choke it, a rampant penis which, scornful of his intentions, whipped him about the floor, launching to his cries of ecstasy or despair, great filamented spurts of jism that traced the air like bullets and then settled slowly over Evelyn in her bed like falling ticker tape.

9

In New Rochelle, Mother had for days brooded about her brother. He had called on the telephone from New York once or twice but would not say why he had gone away or where he was staying or when he would return. He mumbled. He was close-mouthed. She was furious with him. He did not respond to anger. Since his calls she had taken the extreme step of going into his room and looking around. As always it was neat. There was his table with the machine for stringing tennis racquets. There were his scull oars in brackets on the wall. He kept his own room and there was not a speck of dust even now in his absence. His hairbrushes on the bureau top. His ivory shoehorn. A small shell shaped like a thimble, with some grains of sand stuck to it. She had never seen that before. A picture from a magazine pinned to the wall, the drawing by Charles Dana Gibson of that Evelyn Nesbit creature. He had packed nothing, his shirts and collars filled the drawer. She closed the door guiltily. He was a strange young man. He never made friends. He was solitary and impassive except for a streak of indolence which he either could not hide or did not care to. She knew Father found that indolence disturbing. Nevertheless he had promoted him to greater responsibility.

She could not share her worries with Grandfather, who had sired the young man at a late age and was now totally separated from any practical perception of life. Grandfather was in his nineties. He was a retired professor of Greek and Latin who had taught generations of Episcopal seminarians at Shady Grove College in central Ohio. He was a country classicist. He had known John Brown when he was a boy in Hudson County in the Western Reserve and would tell you that twenty times a day if you let him. More and more since Father’s departure Mother thought of the old Ohio homestead. The summers there were gravid with promise and red-winged blackbirds flew up from the hay meadows. The furnishings of the house were spare, and country-made. Ladderback chairs of pine. Polished wood floors of wide boards fastened with dowels.