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Ragtime - E.L. Doctorow [4]

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husband, who kissed her on the cheek. Standing on the rear platform of the last car, Father doffed his skimmer and waved goodbye as the train went around the bend.

The next morning, after a champagne breakfast with the press, the men of Peary’s polar expedition cast off the lines and their sturdy little ship, the Roosevelt, backed out of her berth into the East River. Fireboats sent up sprays of water which misted in rainbows as the early morning sun rose over the city. Passenger liners tooted their basso horns. It was not until some time later, when the Roosevelt had reached the open sea, that Father was persuaded of the actuality of the trip. As he stood at the railing there was transmitted to his bones the awesome unalterable rhythm of the ocean. A while later the Roosevelt passed an incoming transatlantic vessel packed to the railings with immigrants. Father watched the prow of the scaly broad-beamed vessel splash in the sea. Her decks were packed with people. Thousands of male heads in derbies. Thousands of female heads covered with shawls. It was a rag ship with a million dark eyes staring at him. Father, a normally resolute person, suddenly foundered in his soul. A weird despair seized him. The wind came up, the sky had turned overcast, and the great ocean began to tumble and break upon itself as if made of slabs of granite and sliding terraces of slate. He watched the ship till he could see it no longer. Yet aboard her were only more customers, for the immigrant population set great store by the American flag.


3

Most of the immigrants came from Italy and Eastern Europe. They were taken in launches to Ellis Island. There, in a curiously ornate human warehouse of red brick and gray stone, they were tagged, given showers and arranged on benches in waiting pens. They were immediately sensitive to the enormous power of the immigration officials. These officials changed names they couldn’t pronounce and tore people from their families, consigning to a return voyage old folks, people with bad eyes, riffraff and also those who looked insolent. Such power was dazzling. The immigrants were reminded of home. They went into the streets and were somehow absorbed in the tenements. They were despised by New Yorkers. They were filthy and illiterate. They stank of fish and garlic. They had running sores. They had no honor and worked for next to nothing. They stole. They drank. They raped their own daughters. They killed each other casually. Among those who despised them the most were the second-generation Irish, whose fathers had been guilty of the same crimes. Irish kids pulled the beards of old Jews and knocked them down. They upended the pushcarts of Italian peddlers.

Every season of the year wagons came through the streets and picked up bodies of derelicts. Late at night old ladies in babushkas came to the morgue looking for their husbands and sons. The corpses lay on tables of galvanized iron. From the bottom of each table a drainpipe extended to the floor. Around the rim of the table was a culvert. And into the culvert ran the water sprayed constantly over each body from an overhead faucet. The faces of the dead were upturned into the streams of water that poured over them like the irrepressible mechanism in death of their own tears.

But somehow piano lessons began to be heard. People stitched themselves to the flag. They carved paving stones for the streets. They sang. They told jokes. The family lived in one room and everyone worked: Mameh, Tateh and The Little Girl in the pinafore. Mameh and the little girl sewed knee pants and got seventy cents a dozen. They sewed from the time they got up to the time they went to bed. Tateh made his living in the street. As time went on they got to know the city. One Sunday, in a wild impractical mood, they spent twelve cents for three fares on the streetcar and rode uptown. They walked on Madison Avenue and Fifth Avenue and looked at the mansions. Their owners called them palaces. And that’s what they were, they were palaces. They had all been designed by Stanford White. Tateh

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