Ragtime - E.L. Doctorow [45]
They cleaned and refreshed themselves in the public lavatories. They went to the station café for a breakfast of rolls and coffee and spent the day walking through the streets of Philadelphia. It was cold and the sun was shining. They looked in the windows of the stores and when their feet began to ache from the cold they walked into a department store to warm up. It was a vast emporium, every aisle crowded with shoppers. The girl noticed with interest that wire baskets swung from moving cables over the counters. They carried the money and receipts back and forth from the counters to the cashier. The sales clerks yanked on wooden-handled rope pulls to bring the baskets down and pulled on other ropes to get them back up. Mannequins, like grown-up dolls, sported satin toques and broad-brimmed hats plumed with egret feathers. One of these hats is more than a week’s wages, Tateh said.
Later, on the streets again, they walked past iron-front buildings where trucks were pulled up to warehouse platforms. The windows of supply companies and wholesalers offered little of interest. But then her eye was attracted to the dirty window in which were displayed all the gimcracks of a mail-order novelty company. At this time businessmen were discovering the profit in practical jokes and parlor magic tricks. There were exploding cigars, rubber roses for the lapel that squirted water, boxes of sneezing powder, telescopes that left black eyes, exploding card decks, sound bladders for placing under chair cushions, glass paperweights with winter scenes on which snow fell when you shook them, exploding matches, punch-boards, little lead liberty bells and statues of liberty, magic rings, exploding fountain pens, books that told you the meaning of dreams, rubber Egyptian belly dancers, exploding watches, exploding eggs.
Tateh stared at the window long after the girl’s interest had waned. He led her into the store. Tateh removed his hat and spoke to a man in a striped shirt with sleeve garters who came forward to meet them. The man was amiable. Sure, he said, let’s see it. Tateh took the girl’s satchel, put it on the counter and, opening it, withdrew the book of the skater. Standing next to the proprietor he held the book at arm’s length and expertly flipped the pages. The little girl skated forward and skated away, did a figure eight, came back, went into a pirouette and made a graceful bow. The man’s eyebrows went up. He stuck out his lower lip. Let me try that, he said.
An hour later Tateh walked out of there with twenty-five dollars in cash and a letter of agreement which he had signed calling for four more books at twenty-five dollars each. The company—its name was the Franklin Novelty Company—would publish the books and add them to its line. For purposes of the contract they were called movie books. Come, Tateh said to his child, we’ll find a boardinghouse in a good neighborhood and then we’ll have ourselves a meal and a hot bath.
18
Thus did the artist point his life along the lines of flow of American energy. Workers would strike and die but in the streets of cities an entrepreneur could cook sweet potatoes in a bucket of hot coals and sell them for a penny or two. A smiling hurdy-gurdy man could fill his cup. Phil the Fiddler, undaunted by the snow, cut away the fingers of his gloves and played under the lighted windows