Ramona [17]
knew that her sister would not lie, nor evade a trust. The little Ramona's future was assured. During the last years of the unhappy woman's life the child was her only comfort. Ortegna's conduct had become so openly and defiantly infamous, that he even flaunted his illegitimate relations in his wife's presence; subjecting her to gross insults, spite of her helpless invalidism. This last outrage was too much for the Gonzaga blood to endure; the Senora never afterward left her apartment, or spoke to her husband. Once more she sent for her sister to come; this time, to see her die. Every valuable she possessed, jewels, laces, brocades, and damasks, she gave into her sister's charge, to save them from falling into the hands of the base creature that she knew only too well would stand in her place as soon as the funeral services had been said over her dead body.
Stealthily, as if she had been a thief, the sorrowing Senora Moreno conveyed her sister's wardrobe, article by article, out of the house, to be sent to her own home. It was the wardrobe of a princess. The Ortegnas lavished money always on the women whose hearts they broke; and never ceased to demand of them that they should sit superbly arrayed in their lonely wretchedness.
One hour after the funeral, with a scant and icy ceremony of farewell to her dead sister's husband, Senora Moreno, leading the little four-year-old Ramona by the hand, left the house, and early the next morning set sail for home.
When Ortegna discovered that his wife's jewels and valuables of all kinds were gone, he fell into a great rage, and sent a messenger off, post-haste, with an insulting letter to the Senora Moreno, demanding their return. For answer, he got a copy of his wife's memoranda of instructions to her sister, giving all the said valuables to her in trust for Ramona; also a letter from Father Salvierderra, upon reading which he sank into a fit of despondency that lasted a day or two, and gave his infamous associates considerable alarm, lest they had lost their comrade. But he soon shook off the influence, whatever it was, and settled back into his old gait on the same old high-road to the devil. Father Salvierderra could alarm him, but not save him.
And this was the mystery of Ramona. No wonder the Senora Moreno never told the story. No wonder, perhaps, that she never loved the child. It was a sad legacy, indissolubly linked with memories which had in them nothing but bitterness, shame, and sorrow from first to last.
How much of all this the young Ramona knew or suspected, was locked in her own breast. Her Indian blood had as much proud reserve in it as was ever infused into the haughtiest Gonzaga's veins. While she was yet a little child, she had one day said to the Senora Moreno, "Senora, why did my mother give me to the Senora Ortegna?"
Taken unawares, the Senora replied hastily: "Your mother had nothing whatever to do with it. It was your father."
"Was my mother dead?" continued the child.
Too late the Senora saw her mistake. "I do not know," she replied; which was literally true, but had the spirit of a lie in it. "I never saw your mother."
"Did the Senora Ortegna ever see her?" persisted Ramona.
"No, never," answered the Senora, coldly, the old wounds burning at the innocent child's unconscious touch.
Ramona felt the chill, and was silent for a time, her face sad, and her eyes tearful. At last she said, "I wish I knew if my mother was dead."
"Why?" asked the Senora.
"Because if she is not dead I would ask her why she did not want me to stay with her."
The gentle piteousness of this reply smote the Senora's conscience. Taking the child in her arms, she said, "Who has been talking to you of these things, Ramona?"
"Juan Can," she replied.
"What did he say?" asked the Senora, with a look in her eye which boded no good to Juan Canito.
"It was not to me he said it, it was to Luigo; but I heard him," answered Ramona, speaking slowly, as if collecting her various reminiscences on the subject. "Twice I heard him. He said that my mother
Stealthily, as if she had been a thief, the sorrowing Senora Moreno conveyed her sister's wardrobe, article by article, out of the house, to be sent to her own home. It was the wardrobe of a princess. The Ortegnas lavished money always on the women whose hearts they broke; and never ceased to demand of them that they should sit superbly arrayed in their lonely wretchedness.
One hour after the funeral, with a scant and icy ceremony of farewell to her dead sister's husband, Senora Moreno, leading the little four-year-old Ramona by the hand, left the house, and early the next morning set sail for home.
When Ortegna discovered that his wife's jewels and valuables of all kinds were gone, he fell into a great rage, and sent a messenger off, post-haste, with an insulting letter to the Senora Moreno, demanding their return. For answer, he got a copy of his wife's memoranda of instructions to her sister, giving all the said valuables to her in trust for Ramona; also a letter from Father Salvierderra, upon reading which he sank into a fit of despondency that lasted a day or two, and gave his infamous associates considerable alarm, lest they had lost their comrade. But he soon shook off the influence, whatever it was, and settled back into his old gait on the same old high-road to the devil. Father Salvierderra could alarm him, but not save him.
And this was the mystery of Ramona. No wonder the Senora Moreno never told the story. No wonder, perhaps, that she never loved the child. It was a sad legacy, indissolubly linked with memories which had in them nothing but bitterness, shame, and sorrow from first to last.
How much of all this the young Ramona knew or suspected, was locked in her own breast. Her Indian blood had as much proud reserve in it as was ever infused into the haughtiest Gonzaga's veins. While she was yet a little child, she had one day said to the Senora Moreno, "Senora, why did my mother give me to the Senora Ortegna?"
Taken unawares, the Senora replied hastily: "Your mother had nothing whatever to do with it. It was your father."
"Was my mother dead?" continued the child.
Too late the Senora saw her mistake. "I do not know," she replied; which was literally true, but had the spirit of a lie in it. "I never saw your mother."
"Did the Senora Ortegna ever see her?" persisted Ramona.
"No, never," answered the Senora, coldly, the old wounds burning at the innocent child's unconscious touch.
Ramona felt the chill, and was silent for a time, her face sad, and her eyes tearful. At last she said, "I wish I knew if my mother was dead."
"Why?" asked the Senora.
"Because if she is not dead I would ask her why she did not want me to stay with her."
The gentle piteousness of this reply smote the Senora's conscience. Taking the child in her arms, she said, "Who has been talking to you of these things, Ramona?"
"Juan Can," she replied.
"What did he say?" asked the Senora, with a look in her eye which boded no good to Juan Canito.
"It was not to me he said it, it was to Luigo; but I heard him," answered Ramona, speaking slowly, as if collecting her various reminiscences on the subject. "Twice I heard him. He said that my mother