Ramona [28]
Some of the books had been written by his own hand, on parchment. He not only sang well, but was a good player on the violin. There was not at any of the Missions so fine a band of performers on stringed instruments as at San Luis Rey. Father Peyri was passionately fond of music, and spared no pains in training all the neophytes under his charge who showed any special talent in that direction. Chief Pablo, after the breaking up of the Mission, had settled at Temecula, with a small band of his Indians, and endeavored, so far as was in his power, to keep up the old religious services. The music in the little chapel of the Temecula Indians was a surprise to all who heard it.
Alessandro had inherited his father's love and talent for music, and knew all the old Mission music by heart. This hymn to the
"Beautiful Queen, Princess of Heaven,"
was one of his special favorites; and as he heard verse after verse rising, he could not forbear striking in.
At the first notes of this rich new voice, Ramona's voice ceased in surprise; and, throwing up her window, she leaned out, eagerly looking in all directions to see who it could be. Alessandro saw her, and sang no more.
"What could it have been? Did I dream it?" thought Ramona, drew in her head, and began to sing again.
With the next stanza of the chorus, the same rich barytone notes. They seemed to float in under all the rest, and bear them along, as a great wave bears a boat. Ramona had never heard such a voice. Felipe had a good tenor, and she liked to sing with him, or to hear him; but this -- this was from another world, this sound. Ramona felt every note of it penetrating her consciousness with a subtle thrill almost like pain. When the hymn ended, she listened eagerly, hoping Father Salvierderra would strike up a second hymn, as he often did; but he did not this morning; there was too much to be done; everybody was in a hurry to be at work: windows shut, doors opened; the sounds of voices from all directions, ordering, questioning, answering, began to be heard. The sun rose and let a flood of work-a-day light on the whole place.
Margarita ran and unlocked the chapel door, putting up a heartfelt thanksgiving to Saint Francis and the Senorita, as she saw the snowy altar-cloth in its place, looking, from that distance at least, as good as new.
The Indians and the shepherds, and laborers of all sorts, were coming towards the chapel. The Senora, with her best black silk handkerchief bound tight around her forehead, the ends hanging down each side of her face, making her look like an Assyrian priestess, was descending the veranda steps, Felipe at her side; and Father Salvierderra had already entered the chapel before Ramona appeared, or Alessandro stirred from his vantage-post of observation at the willows.
When Ramona came out from the door she bore in her hands a high silver urn filled with ferns. She had been for many days gathering and hoarding these. They were hard to find, growing only in one place in a rocky canon, several miles away.
As she stepped from the veranda to the ground, Alessandro walked slowly up the garden-walk, facing her. She met his eyes, and, without knowing why, thought, "That must be the Indian who sang." As she turned to the right and entered the chapel, Alessandro followed her hurriedly, and knelt on the stones close to the chapel door. He would be near when she came out. As he looked in at the door, he saw her glide up the aisle, place the ferns on the reading-desk, and then kneel down by Felipe in front of the altar. Felipe turned towards her, smiling slightly, with a look as of secret intelligence.
"Ah, Senor Felipe has married. She is his wife," thought Alessandro, and a strange pain seized him. He did not analyze it; hardly knew what it meant. He was only twenty-one. He had not thought much about women. He was a distant, cold boy, his own people of the Temecula village said. It had come, they believed, of learning to read, which was always bad. Chief Pablo had not done his son any good by trying to make him like white
Alessandro had inherited his father's love and talent for music, and knew all the old Mission music by heart. This hymn to the
"Beautiful Queen, Princess of Heaven,"
was one of his special favorites; and as he heard verse after verse rising, he could not forbear striking in.
At the first notes of this rich new voice, Ramona's voice ceased in surprise; and, throwing up her window, she leaned out, eagerly looking in all directions to see who it could be. Alessandro saw her, and sang no more.
"What could it have been? Did I dream it?" thought Ramona, drew in her head, and began to sing again.
With the next stanza of the chorus, the same rich barytone notes. They seemed to float in under all the rest, and bear them along, as a great wave bears a boat. Ramona had never heard such a voice. Felipe had a good tenor, and she liked to sing with him, or to hear him; but this -- this was from another world, this sound. Ramona felt every note of it penetrating her consciousness with a subtle thrill almost like pain. When the hymn ended, she listened eagerly, hoping Father Salvierderra would strike up a second hymn, as he often did; but he did not this morning; there was too much to be done; everybody was in a hurry to be at work: windows shut, doors opened; the sounds of voices from all directions, ordering, questioning, answering, began to be heard. The sun rose and let a flood of work-a-day light on the whole place.
Margarita ran and unlocked the chapel door, putting up a heartfelt thanksgiving to Saint Francis and the Senorita, as she saw the snowy altar-cloth in its place, looking, from that distance at least, as good as new.
The Indians and the shepherds, and laborers of all sorts, were coming towards the chapel. The Senora, with her best black silk handkerchief bound tight around her forehead, the ends hanging down each side of her face, making her look like an Assyrian priestess, was descending the veranda steps, Felipe at her side; and Father Salvierderra had already entered the chapel before Ramona appeared, or Alessandro stirred from his vantage-post of observation at the willows.
When Ramona came out from the door she bore in her hands a high silver urn filled with ferns. She had been for many days gathering and hoarding these. They were hard to find, growing only in one place in a rocky canon, several miles away.
As she stepped from the veranda to the ground, Alessandro walked slowly up the garden-walk, facing her. She met his eyes, and, without knowing why, thought, "That must be the Indian who sang." As she turned to the right and entered the chapel, Alessandro followed her hurriedly, and knelt on the stones close to the chapel door. He would be near when she came out. As he looked in at the door, he saw her glide up the aisle, place the ferns on the reading-desk, and then kneel down by Felipe in front of the altar. Felipe turned towards her, smiling slightly, with a look as of secret intelligence.
"Ah, Senor Felipe has married. She is his wife," thought Alessandro, and a strange pain seized him. He did not analyze it; hardly knew what it meant. He was only twenty-one. He had not thought much about women. He was a distant, cold boy, his own people of the Temecula village said. It had come, they believed, of learning to read, which was always bad. Chief Pablo had not done his son any good by trying to make him like white