Ramona [30]
barrier, of which he was unconsciously aware, between him and the maidens of the village. If a quick, warm fancy for any one of them ever stirred in his veins, he found himself soon, he knew not how, cured of it. For a dance, or a game, or a friendly chat, for the trips into the mountains after acorns, or to the marshes for grasses and reeds, he was their good comrade, and they were his; but never had the desire to take one of them for his wife, entered into Alessandro's mind. The vista of the future, for him, was filled full by thoughts which left no room for love's dreaming; one purpose and one fear filled it,-- the purpose to be his father's worthy successor, for Pablo was old now, and very feeble; the fear, that exile and ruin were in store for them all.
It was of these things he had been thinking as be walked alone, in advance of his men, on the previous night, when he first saw Ramona kneeling at the brook. Between that moment and the present, it seemed to Alessandro that some strange miracle must have happened to him. The purposes and the fears had alike gone. A face replaced them; a vague wonder, pain, joy, he knew not what, filled him so to overflowing that he was bewildered. If he had been what the world calls a civilized man, he would have known instantly and would have been capable of weighing, analyzing, and reflecting on his sensations at leisure. But he was not a civilized man; he had to bring to bear on his present situation only simple, primitive, uneducated instincts and impulses. If Ramona had been a maiden of his own people or race, he would have drawn near to her as quickly as iron to the magnet. But now, if he had gone so far as to even think of her in such a way, she would have been, to his view, as far removed from him as was the morning star beneath whose radiance he had that morning watched, hoping for sight of her at her window. He did not, however, go so far as to thus think of her. Even that would have been impossible. He only knelt on the stones outside the chapel door, mechanically repeating the prayers with the rest, waiting for her to reappear. He had no doubt, now, that she was Senor Felipe's wife; all the same he wished to kneel there till she came out, that he might see her face again. His vista of purpose, fear, hope, had narrowed now down to that,-- just one more sight of her. Ever so civilized, he could hardly have worshipped a woman better. The mass seemed to him endlessly long. Until near the last, he forgot to sing; then, in the closing of the final hymn, he suddenly remembered, and the clear deep-toned voice pealed out, as before, like the undertone of a great sea-wave, sweeping along.
Ramona heard the first note, and felt again the same thrill. She was as much a musician born as Alessandro himself. As she rose from her knees, she whispered to Felipe: "Felipe, do find out which one of the Indians it is has that superb voice. I never heard anything like it."
"Oh, that is Alessandro," replied Felipe, "old Pablo's son. He is a splendid fellow. Don't you recollect his singing two years ago?"
"I was not here," replied Ramona; "you forget."
"Ah, yes, so you were away; I had forgotten," said Felipe. "Well, he was here. They made him captain of the shearing-band, though he was only twenty, and he managed the men splendidly. They saved nearly all their money to carry home, and I never knew them do such a thing before. Father Salvierderra was here, which might have had something to do with it; but I think it was quite as much Alessandro. He plays the violin beautifully. I hope he has brought it along. He plays the old San Luis Rey music. His father was band-master there."
Ramona's eyes kindled with pleasure. "Does your mother like it, to have him play?" she asked.
Felipe nodded. "We'll have him up on the veranda tonight," he said.
While this whispered colloquy was going on, the chapel had emptied, the Indians and Mexicans all hurrying out to set about the day's work. Alessandro lingered at the doorway as long as he dared, till he was sharply called by Juan Canito,
It was of these things he had been thinking as be walked alone, in advance of his men, on the previous night, when he first saw Ramona kneeling at the brook. Between that moment and the present, it seemed to Alessandro that some strange miracle must have happened to him. The purposes and the fears had alike gone. A face replaced them; a vague wonder, pain, joy, he knew not what, filled him so to overflowing that he was bewildered. If he had been what the world calls a civilized man, he would have known instantly and would have been capable of weighing, analyzing, and reflecting on his sensations at leisure. But he was not a civilized man; he had to bring to bear on his present situation only simple, primitive, uneducated instincts and impulses. If Ramona had been a maiden of his own people or race, he would have drawn near to her as quickly as iron to the magnet. But now, if he had gone so far as to even think of her in such a way, she would have been, to his view, as far removed from him as was the morning star beneath whose radiance he had that morning watched, hoping for sight of her at her window. He did not, however, go so far as to thus think of her. Even that would have been impossible. He only knelt on the stones outside the chapel door, mechanically repeating the prayers with the rest, waiting for her to reappear. He had no doubt, now, that she was Senor Felipe's wife; all the same he wished to kneel there till she came out, that he might see her face again. His vista of purpose, fear, hope, had narrowed now down to that,-- just one more sight of her. Ever so civilized, he could hardly have worshipped a woman better. The mass seemed to him endlessly long. Until near the last, he forgot to sing; then, in the closing of the final hymn, he suddenly remembered, and the clear deep-toned voice pealed out, as before, like the undertone of a great sea-wave, sweeping along.
Ramona heard the first note, and felt again the same thrill. She was as much a musician born as Alessandro himself. As she rose from her knees, she whispered to Felipe: "Felipe, do find out which one of the Indians it is has that superb voice. I never heard anything like it."
"Oh, that is Alessandro," replied Felipe, "old Pablo's son. He is a splendid fellow. Don't you recollect his singing two years ago?"
"I was not here," replied Ramona; "you forget."
"Ah, yes, so you were away; I had forgotten," said Felipe. "Well, he was here. They made him captain of the shearing-band, though he was only twenty, and he managed the men splendidly. They saved nearly all their money to carry home, and I never knew them do such a thing before. Father Salvierderra was here, which might have had something to do with it; but I think it was quite as much Alessandro. He plays the violin beautifully. I hope he has brought it along. He plays the old San Luis Rey music. His father was band-master there."
Ramona's eyes kindled with pleasure. "Does your mother like it, to have him play?" she asked.
Felipe nodded. "We'll have him up on the veranda tonight," he said.
While this whispered colloquy was going on, the chapel had emptied, the Indians and Mexicans all hurrying out to set about the day's work. Alessandro lingered at the doorway as long as he dared, till he was sharply called by Juan Canito,